Mistress Spitfire: A Plain Account of Certain Episodes in the History of Richard Coope, Gent., and of His Cousin, Mistress Alison French, at the Time of the Revolution, 1642-1644
History
Mistress Spitfire: A Plain Account of Certain Episodes in the History of Richard Coope, Gent., and of His Cousin, Mistress Alison French, at the Time of the Revolution, 1642-1644
Great Britain -- History -- Civil War, 1642-1649 -- Fiction
Now, in the old times, I knew every inch of the land round about my
uncle’s estate, and the farmsteads were as familiar to me as the
pump in our own stable-yard. I remembered, as I stood with my eye
to the crack in the shutter, that in the rear of Reuben Trippett’s
kitchen there was a lattice at which the maids used to hand in the
milk-pails from the byre. ’Twas a matter of thin strips of lath,
and in the daytime was left swinging as the wind liked, but in the
night a shutter came down over it, and was secured by a bolt. If
the shutter, by any good or ill luck,--I cared not which it might
properly be called,--had been left up when the house was deserted,
I should be able from the byre to hear every word spoken in the
kitchen as well as if I had been inside. So, remembering this, I
stole round the corner of the house to the byre, all agog to hear
what mischief Master Dacre, that scamp Bargery, and t’other three
were compassing. That it was mischief I never doubted for a moment;
there was not an honest pair of eyes amongst the four that I had
seen, and I remembered Anthony’s for more years than I could then
call to mind.
The byre, like the stable, was cold and empty. I warrant me
there had been no cows in it for a twelve-month. I had grown
somewhat heated by my adventures in the bog, and the chill stuck
to my bones and made me shiver. One glance at the far end of the
mistal, however, helped me to forget cold and everything. They had
forgotten to put down the shutter when they left the old house, and
the lattice window made dim bars of shadow against the swimming
light of the candle. There was naught left to me but to steal
gently along the slimy walls of the byre (ugh! I can feel the damp
of them now, and snuff their fetid odour, which then came thick
and heavy to my nostrils) until I came to the lattice. And since
I dared not venture to stick my head before it, lest the fellows
within should catch sight of me, I got as near to the window frame
as I dared, and listened with more attention than I had ever given,
I think, to aught before.
Anthony Dacre was speaking when I put my ear as close to the latch
as I dared, but he had evidently come to the tail of his sentence,
and I could make little sense of it.
“Fair or foul,” says he, to wind up; “fair or foul.”
“And more foul than fair, I warrant me,” thinks I. “A deal more o’
the foul than the fair, Master Anthony, if I know aught o’ thee.”
And I composed myself to hear somewhat more.
I heard a shuffling of feet on the kitchen floor, as if each man
nudged his neighbour’s knee.
“Come,” says Anthony; “is there ne’er a tongue amongst the lot o’
you?”
The man Bargery spoke--I knew his voice, too.
“Why,” says he, “’tis like this: what use is speaking till we know
Master Dacre’s plans? Or are we as soldiers that march under sealed
orders?”
“Ah!” says another; “well put.”
Public-domain text, read in full here on John Shaqi.
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