The only intense feeling that I could discover among these people was the love between parent and child. I visited the theater where the tragedy of the play was the destruction of a daughter by shipwreck in view of the distracted mother. The scenery was managed with wonderful realism. The thunder of the surf as it beat upon the shore, the frightful carnival of wind and waves that no human power could still, and the agony of the mother watching the vessel break to pieces upon the rock and her child sink into the boiling water to rise no more, was thrilling beyond my power to describe. I lost control of my feelings. The audience wept and applauded; and when the curtain fell, I could scarcely believe it had only been a play. The love of Mizora women for their children is strong and deep. They consider the care of them a sacred duty, fraught with the noblest results of life. A daughter of scholarly attainments and noble character is a credit to her mother. That selfish mother who looks upon her children as so many afflictions is unknown to Mizora. If a mother should ever feel her children as burdens upon her, she would never give it expression, as any dereliction of duty would be severely rebuked by the whole community, if not punished by banishment. Corporal punishment was unknown. I received an invitation from a lady prominent in literature and science to make her a visit. I accepted with gratification, as it would afford me the opportunity I coveted to become acquainted with the domestic life of Mizora, and perhaps penetrate its greatest mystery, for I must confess that the singular dearth of anything and everything resembling Man, never ceased to prey upon my curiosity. The lady was the editor and proprietor of the largest and most widely known scientific and literary magazine in the country. She was the mother of eight children, and possessed one of the largest fortunes and most magnificent residences in the country. The house stood on an elevation, and was a magnificent structure of grey granite, with polished cornices. The porch floors were of clouded marble. The pillars supporting its roof were round shafts of the same material, with vines of ivy, grape and rose winding about them, carved and colored into perfect representations of the natural shrubs.