Women -- Biography; Women -- Social and moral questions
Inherent character gushes out through every organ of the body and every
avenue of the soul. Broad-built people love ease, are rather dull, and
take good care of number one. In the nature of things, length of form
facilitates action. Such are always in motion, speak too fast to be
emphatic, and have no lazy bones in their body. Excitability is
indicated by sharpness. From time immemorial a sharp nose has been
considered a sign of a scolding disposition; but it is equally so of
intensity in the other feelings. In accordance with the general law
that shape and character correspond, well-proportioned persons have not
only harmony of features but well-balanced minds. Whereas those, some
of whose features stand right out and others fall in, have ill-balanced
characters as well as an uneven appearance. Walking, laughing, the mode
of shaking hands, and the intonations of the voice, are all expressive
of human peculiarities. In short, Nature compels all her productions to
manifest character as diversified as correct.
The art of judging of character from the external appearance,
especially from the countenance, is founded upon the belief, which
has long and generally prevailed, that there is an intimate
connection between the features and expression of the face and the
qualities and habits of the mind. All are conscious of drawing
conclusions in this way with more or less confidence, and of acting
upon them in the affairs of life to a certain extent. But women are
generally allowed to excel in quick insight into character—to
perceive motives at a glance—to be natural physiognomists: some of
the greatest philosophers that ever lived, have been prepared to
trust their first impressions. We find this rare and valuable
sense—this short-hand reasoning—exemplified in the conversations
and writings of ladies, producing, even in the absence of original
genius or of profound penetration, a sense of perfect security, as we
follow their gentle guidance. Indeed, they seem to read the
characters of all they meet, and especially of the opposite sex,
intuitively, and their verdict may be considered oracular and without
appeal.
“Ye’ll no mind me, sir,” said Mrs. Macgregor to Mr. Godwin the lawyer,
in that touching story, “The Little Rift,” which appeared in _Good
Words_, for 1860, “but I mind ye weel, tho’ lang it is syne ye made my
bit will, and there’s mony a line on your face the day that wasna’
there then. But oh, sir! there’s the same kindly glint o’ the e’e
still, and I never was mista’en in my reading o’ ony man’s face yet; I
hae just an awfu’ insight. It was given me to see fra the very first,
that the major was a dour man, dour! dour!”
Public-domain text, read in full here on John Shaqi.
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