American poetry -- 19th century; American poetry -- 20th century
“O mother, I know the heart of you,” I sang passing the rim of a nun’s
bonnet—O white curtains—and people clean as the prayers of Jesus here
in the faded ramshackle at Congress and Green.
Dust and the thundering trucks won—the barrages of the street wheels and
the lawless wind took their way—was it five weeks or six the little
mother, the new neighbors, battled and then took away the white
prayers in the windows?
A. E. F.
There will be a rusty gun on the wall, sweetheart,
The rifle grooves curling with flakes of rust.
A spider will make a silver string nest in the darkest, warmest corner
of it.
The trigger and the range-finder, they too will be rusty.
And no hands will polish the gun, and it will hang on the wall.
Forefingers and thumbs will point absently and casually toward it.
It will be spoken among half-forgotten, wished-to-be-forgotten things.
They will tell the spider: Go on, you’re doing good work.
NOCTURNE IN A DESERTED BRICKYARD
Stuff of the moon
Runs on the lapping sand
Out to the longest shadows.
Under the curving willows,
And round the creep of the wave line,
Fluxions of yellow and dusk on the waters
Make a wide dreaming pansy of an old pond in the night.
GRASS
Pile the bodies high at Austerlitz and Waterloo.
Shovel them under and let me work—
I am the grass; I cover all.
And pile them high at Gettysburg
And pile them high at Ypres and Verdun.
Shovel them under and let me work.
Two years, ten years, and passengers ask the conductor:
What place is this?
Where are we now?
I am the grass.
Let me work.
_Adelaide Crapsey_
Adelaide Crapsey was born, September 9, 1878, at Rochester, New
York, where she spent her childhood. She entered Vassar College in
1897, graduating with the class of 1901. Two years after graduation
she began work as a teacher of History and Literature, in Kemper
Hall, Kenosha, Wisconsin, where she had attended preparatory school.
In 1905 she went abroad, studying archaeology in Rome. After her
return she essayed to teach again but her failing health compelled
her to discontinue and though she became instructor in Poetics at
Smith College in 1911, the burden was too great for her.
Public-domain text, read in full here on John Shaqi.
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