English poetry -- 19th century; English poetry -- 20th century
This poet's second gift is his sense of the supernatural, of the
fantastic other-world that lies on the edges of our consciousness.
_The Listeners_ (1912) is a book that, like all the best of De la
Mare, is full of half-heard whispers; moonlight and mystery seem
soaked in the lines, and a cool wind from Nowhere blows over them.
That most magical of modern verses, "The Listeners," and the brief
music of "An Epitaph" are two fine examples among many. In the first
of these poems there is an uncanny splendor. What we have here is the
effect, the thrill, the overtones of a ghost story rather than the
narrative itself--the less than half-told adventure of some new Childe
Roland heroically challenging a heedless universe. Never have silence
and black night been reproduced more creepily, nor has the symbolism
of man's courage facing the cryptic riddle of life been more memorably
expressed.
De la Mare's chief distinction, however, lies not so much in what he
says as in how he says it; he can even take outworn words like
"thridding," "athwart," "amaranthine" and make them live again in a
poetry that is of no time and of all time. He writes, it has been
said, as much for antiquity as for posterity; he is a poet who is
distinctively in the world and yet not wholly of it.
THE LISTENERS
'Is there anybody there?' said the Traveller,
Knocking on the moonlit door;
And his horse in the silence champed the grasses
Of the forest's ferny floor.
And a bird flew up out of the turret,
Above the Traveller's head:
And he smote upon the door again a second time;
'Is there anybody there?' he said.
But no one descended to the Traveller;
No head from the leaf-fringed sill
Leaned over and looked into his grey eyes,
Where he stood perplexed and still.
But only a host of phantom listeners
That dwelt in the lone house then
Stood listening in the quiet of the moonlight
To that voice from the world of men:
Stood thronging the faint moonbeams on the dark stair,
That goes down to the empty hall,
Hearkening in an air stirred and shaken
By the lonely Traveller's call.
And he felt in his heart their strangeness,
Their stillness answering his cry,
While his horse moved, cropping the dark turf,
'Neath the starred and leafy sky;
For he suddenly smote on the door, even
Louder, and lifted his head:--
'Tell them I came, and no one answered,
That I kept my word,' he said.
Never the least stir made the listeners,
Though every word he spake
Fell echoing through the shadowiness of the still house
From the one man left awake:
Ay, they heard his foot upon the stirrup,
And the sound of iron on stone,
And how the silence surged softly backward,
When the plunging hoofs were gone.
AN EPITAPH
Public-domain text, read in full here on John Shaqi.
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