Modern Broods; Or, Developments Unlooked ForYonge, Charlotte M. (Charlotte Mary)
General
Modern Broods; Or, Developments Unlooked For
Yonge, Charlotte M. (Charlotte Mary)
Domestic fiction; England -- Social life and customs -- 19th century -- Fiction; English fiction
The walk was shorter and pleasanter than that in the morning, over
moorland, but with a good road; but all Magdalen discovered on the walk
was that though the girls had attended botanical classes, they did not
recognise spear-wort when they saw it, and Agatha thought the old
catalogue fashions of botany were quite exploded. This was a sentiment,
and it gave hopes of something like an argument and a conversation, but
they were at that moment overtaken by the neighbouring farmer’s wife, who
wanted to give Miss Prescott some information about a setting of eggs,
which she did at some length, and with a rapid utterance of dialect that
amused, while it puzzled, Magdalen, and her inquiries and comments were
decided to be “thoroughly good-wife” by all save Thekla, who hailed the
possible ownership of a hen and chicken as almost equal to that of a
bicycle.
Magdalen further discovered that Thekla’s name in common use was
“Tickle,” or else “Tick-tick”; Paulina was, of course, Paula or Polly;
Vera had her old baby title of Flapsy, which somehow suited her restless
nervous motions, and Agatha had become Nag. Well, it was the fashion of
the day, though not a pretty one; but Magdalen recollected, with some
pain, her father’s pleasure in the selection of saintly names for his
little daughters, and she wondered how he would have liked to hear them
thus transmuted. There had been something bordering on sentiment in her
father’s character, and something in Paulina’s expression made her hope
to see it repeated by inheritance. She saw the countenance brighten out
of the morning’s antagonistic air when they entered the little chapel at
Clipstone, and saw the altar adorned and carefully decked with white
narcissus and golden daffodils.
The little chapel was old and plain, very small, but reverently cared
for. There was no choir, but the chairs of those who could sing were
placed near the harmonium, which was played by one of the young ladies
from the large gabled house to which the chapel was attached, and the
singing had the refined tones that belong to the music of cultivated
people. The congregation was evidently of poor folks from the hamlet,
dependants of the great house, and the family itself, a grey-haired,
fine-looking general, a tall dark-eyed lady, a tall youth, a schoolboy,
and four girls—one of whom was musician, and the other presided over the
school children. The service was reverent, the catechising good and
effective, the sermon brief, and summing up in a spiritual and devotional
manner; Magdalen was happy, and trusted that Paulina was so likewise.
Public-domain text, read in full here on John Shaqi.
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