Modern Broods; Or, Developments Unlooked ForYonge, Charlotte M. (Charlotte Mary)
General
Modern Broods; Or, Developments Unlooked For
Yonge, Charlotte M. (Charlotte Mary)
Domestic fiction; England -- Social life and customs -- 19th century -- Fiction; English fiction
The church had not yet been seen, and the conversation ended in the
sisters coming back to tea, at which Paula was very happy, for the talk
had something of the rather exclusive High Church tone that was her
ideal. She had seen it in books, but had never heard it before in real
life, and Vera was in a restless state, longing to hear whether the
promising young artist was really Hubert Delrio, and hoping, while she
believed that she feared, that she should blush when she heard his name.
However, she did not, though Mr. Flight unfolded his rough plans for the
frescoes, which were to be of virgin and child martyrs, Magdalen
hesitating a little over those that seemed too legendary; while old Lady
Flight, portly and sentimental, declared them so sweet and touching.
After tea, they went on to the church. Just at the entrance of the
porch, Vera clutched at Paula, with the whisper, “Wasn’t that Wilfred
Merrifield? There, crossing?”
“Nonsense,” was Paula’s reply, as she lingered over the illuminated list
of the hours of services displayed at the door, and feeling as if she had
attained dreamland, as she saw two fully habited Sisters enter, and bend
low as they did so.
The church was very elaborately ornamented, small, but showing that no
expense had been spared, though there was something that did not quite
accord with Magdalen’s ideas of the best taste; so that when they went
out she answered Paula’s raptures of admiration somewhat coldly, or what
so appeared to the enthusiastic girl.
The next day, meeting Miss Mohun over cutting out for a working party,
Magdalen asked her about the Flights and St. Kenelm’s.
“He is an excellent good man,” said Jane Mohun, “and has laid out immense
sums on the church and parish.”
“All his own? Not subscription?”
“No. He is the only son of a very rich City man, a brewer, and came here
with his mother as a curate, as a good place for health. They found a
miserable little corrugated-iron place, called the Kennel Chapel, and
worked it up, raising the people, and doing no end of good till it came
to be a district, as St. Kenelm’s.”
“Very ornamental?”
“Oh, very,” said Jane, warming out of caution, as she felt she might
venture showing city gorgeousness all over. “But it is infinitely to his
credit. He had a Fortunatus’ purse, and was a spoilt child—not in the
bad sense—but with an utterly idolising mother, and he tried a good many
experiments that made our hair stand on end; but he has sobered down, and
is a much wiser man now—though I would not be bound to admire all he
does.”
“I see there are Sisters? Do they belong to his arrangements?”
Public-domain text, read in full here on John Shaqi.
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