Modern Broods; Or, Developments Unlooked ForYonge, Charlotte M. (Charlotte Mary)
General
Modern Broods; Or, Developments Unlooked For
Yonge, Charlotte M. (Charlotte Mary)
Domestic fiction; England -- Social life and customs -- 19th century -- Fiction; English fiction
“How deliciously romantic! Quite stunning!” cried Vera, as her cavalier
conducted her down a steep path along the side of the cliff to the stony
beach, where a few red rocks had been manipulated into a tiny harbour,
with a boathouse for the little skiff in which Captain Henderson was wont
to go round to the marble works on the other side of the headland. The
boat looked very inviting as it lay swinging gently in the sluggish waves
in the advancing shade of the tall cliff; and Vera exclaimed with delight
as she was assisted into it, and placed herself comfortably on the
cushion, with one hand dabbling in the cool translucent wave. Hubert
Delrio opened his manuscript and began to read his ballad, if so it was
to be called, being the history of the little boy of four years old, who,
being taken with his mother before the tribunal at Tarsus, was lifted on
the proprætor’s knee, but struggled, crying out, “I am a Christian!” till
the proprætor, in a rage, hurled him down. His skull was fractured on
the marble pavement, and his mother gave thanks for his soul’s safety,
when she too was sentenced to be beheaded. Great pains had been taken
with the noble-minded tale; and the verses had considerable merit, more,
perhaps, than Vera could appreciate. But to read such a production of
his own, in such surroundings, to the auditor whom youthful fancy most
preferred, was such luxury to both that it was no wonder that under the
broad shady hat with the lily wreath she was nodding in the gentle
breeze, the lapping of the waves, and the soft cadence of the poetry,
till at an effective passage on the mother’s death, the poet looked up,
expecting to receive a responsive glance from those blue eyes.
Not only were they hidden, but the cliff was farther off. The mooring
rope and the stake were dragging behind in the water. The tide had
turned, and the boat was already out of reach of the rock where it had
been drawn up. His exclamation of dismay awoke Vera, who would have
started up with a little shriek, but for his, “Don’t! Don’t! I’ll row
back.”
But he was a landsman, whose only knowledge of the water was in an
occasional bathe, or in a river steamer; and his first attempt at placing
the oars in the rowlocks resulted in one falling overboard, while he
helplessly grasped the other; and Vera screamed again.
“Don’t be frightened, my dear! Dearest, don’t! We must be seen. Some
one will come out and help us.”
“Can’t you get on with one oar? They do in pictures.”
“Punting? Yes, but there must be a bottom. No, don’t move, whatever you
do. There can’t be any danger. Fishermen must be about. Or we shall be
seen from the cliffs.”
“They are getting farther off! Can’t you shout?”
Public-domain text, read in full here on John Shaqi.
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