Modern dancing and dancersFlitch, J. E. Crawford (John Ernest Crawford)
History
Modern dancing and dancers
Flitch, J. E. Crawford (John Ernest Crawford)
Ballet; Dance; Dancers
In England the ballet may be said to have reached its apogee on the 12th
of July 1845. On that memorable day four of the foremost dancers of the
age, Marie Taglioni, Carlotta Grisi, Fanny Cerito and Lucille Grahn,
danced a _pas de quatre_ before Queen Victoria. The bringing together of
such a glittering constellation of stars on a single stage is best told
in the words of the impresario who conceived and accomplished the
achievement.
“With such materials in my grasp as the four celebrated _danseuses_,
Taglioni, Carlotta Grisi, Cerito and Lucille Grahn, it was my ambition
to unite them all in one striking _divertissement_. But ambition, even
seconded by managerial will, scarcely sufficed to put such a project
into execution. The government of a great state was but a trifle
[Illustration: FANNY CERITO
IN _Ondine_]
compared to the government of such subjects as those whom I was
_supposed_ to be able to command; for these were subjects who considered
themselves far above mortal control, or, more properly speaking, each
was a queen in her own right--alone, absolute, supreme.... But there
existed difficulties even beyond a manager’s calculations. Material
obstacles were easily overcome. When it was feared that Carlotta Grisi
would not be able to leave Paris in time to rehearse and appear for the
occasion, a vessel was chartered from the Steam Navigation Company to
waft the sylph at a moment’s notice across the Channel; a special train
was engaged and ready at Dover; relays of horses were in waiting to aid
the flight of the _danseuse_ all the way from Paris to Calais. In the
execution of the project the difficulty was again manifold. Every
twinkle of each foot in every _pas_ had to be nicely weighed in the
balance, so as to give no preponderance. Each _danseuse_ was to shine in
her peculiar style and grace to the last stretch of perfection; but no
one was to outshine the others, unless in her own individual belief.
Lastly, the famous _Pas de Quatre_ was composed with all the art of
which the distinguished ballet-master, Perrot, was capable.
Public-domain text, read in full here on John Shaqi.
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