Modern dancing and dancersFlitch, J. E. Crawford (John Ernest Crawford)
History
Modern dancing and dancers
Flitch, J. E. Crawford (John Ernest Crawford)
Ballet; Dance; Dancers
To the average home-staying Briton of the period, Paris meant
Montmartre, and Montmartre meant the Cancan. Even to-day the word
conjures up a vision of the old Moulin Rouge, with its sinister, winking
lights, its crude sensationalism, its wild fandango of forced hilarity.
In this hot-house atmosphere of feverish yet mirthless gaiety, the dance
forgot its ancient origin in hushed forest glades and laughing
vineyards, forgot its long sojourn in dignified courts, forgot its
strict discipline in the academies; it became little more than an
appetiser to the feast of debauch. But among the mob of flamboyant
bacchanales for whom the dance was merely a means by which they could
display their wares to the market, there were one or two dancers with a
distinct personality, who gave the _école montmartroise_ the vitality,
if not the dignity, of a kind of art. The chief of these were La Goulue,
Grille d’Égout and Nini Patte-en-l’air.
In her private _dossier_ La Goulue was known to the State as Louise
Weber. She is said to have earned her soubriquet by her gluttony as a
child. Doubtless she had the excuse of the stimulus of hunger, for she
was the daughter of poor working-class people.
[Illustration: CONNIE GILCHRIST
(THE GOLD GIRL)
_From a painting by Whistler_]
She had, however, all the impertinent charm of the _petite Parisienne_.
And, moreover, she had a passion for her métier. Small, fair,
intriguing, with delicately rounded limbs, ivory shoulders and a
mutinous little head crowned with light gold hair, she startled Paris by
her dancing at the Elysée Montmartre. To the abandon of the Cancan she
added in her rendering of it novel effects of an audacity that won her
immediate fame. She was to the eighties what Mogador and Rose Ponpon
were to the sixties. She became a person of note and the spoilt child of
the _jeunesse dorée_. The story is told of how she was invited to supper
at the Maison d’Or--she was an astonishingly vulgar little being in
those days--by a Russian prince. A well-meaning friend, wishing to give
her a genial hint to be on her best behaviour, wrote her a note, which
was handed to her on a salver by the _mâitre d’hôtel_. She opened it,
and with some difficulty spelled out the advice, to the amusement of her
host: “Speak very nicely to the Grand-Duke in order to strengthen the
Franco-Russian alliance!”
Public-domain text, read in full here on John Shaqi.
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