Modern daughters : $b Conversations with various American girls and one man — John Shaqi
Modern daughters : $b Conversations with various American girls and one manBlack, Alexander
General
Modern daughters : $b Conversations with various American girls and one man
Black, Alexander
Women -- Social and moral questions; Women -- United States -- Social conditions
“But I should insist that all this is romance. You are a heroine, and
if I am not a hero, I am playing leading man just now, which has great
possibilities. We are being hurled through space at a speed of sixty
miles an hour. By and by a dark-skinned person will loom at the door and
say that dinner is ready in the dining car, and you will let me open
all the doors for you to the third coach ahead; and we will eat, drink,
and be merry at the parting of the ways, and you will twit me for my
New York accent in the most musical dialect that ever was invented by
the Anglo-Saxon race. Yet I do not know your name, and you do not know
mine. We are two detached fragments of human society appositely placed
in a Pullman section, impelled by the social instinct and chaperoned by
a corporation. All the elements are modern. Can not you see the very
essence of romance in the situation?”
“On the contrary it appears to me as quite realistic. It all might happen
any day. I shall go on happening to some one, and you to someone else,
every day.”
“I see; it is realism because it will not end anywhere in particular.”
“Will you listen to a fable?” she demanded suddenly.
“Is it a little thing of your own? Of course I shall listen.”
“Once there was a princess—”
“Dear me!” I cried. “I’m sorry for that. Doesn’t a story that begins with
a heroine instead of with a hero always end sadly?”
“This is a fable,” she said. “It was a long time ago, when the heroine
_could_ be named Maud, though this heroine was not. Well, the princess
fell in love with a prince.”
“Do you mean _first_?” I asked.
“I know what you will say,” she continued, not heeding my interruption.
“She should not have loved the prince. She should have loved some
romantically impossible person. Anyway, she loved the prince; and more
absurd still, the prince loved the princess. You can see how much more
artistic it would have been for the prince to have been indifferent.
He might at least have had the artistic decency to love the other
princess—or to think that he did, which would have done for a while; but
he was a nice prince, and he loved the princess. At least, you will
say, there should be a parental obstacle, an old fool of a king with
other plans. Or it might be an ill-tempered queen with a bad complexion.
She would have been useful in a good many ways. But, no; not a single
relative opposed either the prince or the princess.”
“Then what on earth did they do?” I asked.
Public-domain text, read in full here on John Shaqi.
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