The Puritan prophet counted Rousseau among his heroes in spite
of his constitutional hate of the man, granting to him this one
virtue--the heroism of intense sincerity. I would add to this another
characteristic which makes him a genius, the intrinsic beauty and
wealth of his emotional nature. He was a Frenchman in whose veins
ran the blood of a Swiss mountaineer. In short, he was a bold
incarnation of the artistic spirit. Absolute independence, freedom,
and satisfaction of all that is instinctive and spontaneous, this was
the claim of his personality. But this, we know, is too beautiful a
dream to be realized in the actual world of ours. Thus his early life
of idyllic intoxication in the beauty of Nature and human sentiments
was soon shattered by the cruel hand of social conventions and prosaic
actuality: seeing the sacredness of instinctive nature everywhere
trampled down by corrupted passions and vanities on the one hand,
and by sophisticated refinement and cold ratiocination on the other,
he raised the voice of protest against what they called culture and
civilization, and made a plea for the entire reorganization of human
society and of the race itself. Freedom from pedantry of superficial
learning and accomplishment, from the hypocrisy of conventional
morality, manners, and religion, from slavery to all artificialities
and externalities, the restoration of man from his accessory life to
his fundamental being, this is the center of his whole philosophy,
which began in his negative answer to the question presented by
the French Academy, “whether the progress of sciences and arts has
contributed to the corruption or the purification of morality,” and
culminates in his greatest work, “Émile,” in which he sets forth what
he conceives as the only salvation of the corrupted race. “Émile” is
the boldest assertion of this boldest child of Nature, and in the
influence it has exercised upon the course of human thoughts and events
we see the wonder of genius, and thus it will remain one of the rarest
treasures in the educational literature of mankind. This book is, in
the words of Niemeyer, like “a meteor which may blind and mislead a
man, but at the same time can illumine regions into which the ordinary
eye can only seldom penetrate.” Even Thomas Davidson, who shows little
sympathy and poor appreciation of Rousseau, is obliged to acknowledge
that “it has been given to few men to exert, with their thought, an
influence so deep and pervasive as that of Rousseau,” and he traces
the way in which this influence extended to “all departments of human
activity, philosophy, science, religion, ethics, art, politics,
economics, and pedagogy” (3: p. 224). Especially in regard to the last
department, with which we are now concerned, we could truly say with
Oscar Browning: “He stands astride across the field of education.
Nothing comes after him which is not affected by him” (1: p. 153). So
I might well add here that every one of us who is actually drinking
Public-domain text, read in full here on John Shaqi.
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