If in the former period the educator simply ministered to the call of
the child’s organism, in this second period he adjusts the environment
to it. The close relation between the muscular and mental development
is a great discovery of modern science. Yet with what an intuition of
genius Rousseau has already seen this! He writes:
“It is a wretched mistake to think the exercise of the body
prejudicial to the operations of the mind; as if the action of both
were incompatible, or that the one could not always direct the other”
(17: i, p. 166).
“In proportion as the sensitive becomes an active being, he acquires a
discernment proportional to his corporeal abilities; when he possesses
more of the latter, also, than are necessary for his preservation,
it is with that redundancy, and not before, that he displays those
speculative faculties which are adapted to the employment of such
abilities to other purposes” (17: i, p. 165).
Moreover, “our limbs and our organs ... are the instruments of our
intelligence; and in order to make the best use of these instruments,
it is necessary that the body furnishing them should be robust and
healthy” (17: i, p. 181).
Therefore, Rousseau advocates the natural motor training which children
receive in their free outdoor play as the most effective and solid form
of intellectual culture. It not only secures the mental vigor, but also
extends the sphere of our experience and knowledge: “it teaches us to
become acquainted with the proper exertion of our forces, the relation
our bodies bear to those which surround us, the use of those natural
implements which are within our reach, and which are adapted to our
organs” (17: i, p. 179). Besides, free play is a good, if not the best,
emotional culture we can give a young child, because the harmony of
heart comes from the balance between desires and capacity to satisfy
them, and in the full exercise of his instinctive healthful activities,
this is vouchsafed.
In this way a full-grown child is built up--not young professors and
old children, of which we have so many; indeed, too many. He does not
represent a perfection of manhood, but of childhood, which is a totally
different thing.
Public-domain text, read in full here on John Shaqi.
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