Modern Eloquence: Vol II, After-Dinner Speeches E-O
General
Modern Eloquence: Vol II, After-Dinner Speeches E-O
Speeches, addresses, etc.
Again, how many memorable scenes of history are inseparable in our minds
alike, and almost equally, from the descriptions of the writer or the
conceptions of the artist? Shall we ever think of the execution of Mary
Queen of Scots without recalling Mr. Froude's description of her, as she
stood, a blood-red figure on the black-robed scaffold? Shall we ever
think of Monmouth pleading for his life with James II, without
remembering the picture which hung last year upon these walls? Is there
no affinity between novelist and our many painters of ordinary scenes,
with their kindred endeavor to shed light and beauty on the hopes and
fears, the duties and sorrows of human life? Nay, even if the preacher
and the divine may claim any part in the domain of letters, they, too,
look to the artist for the aid and inspiration which, in their turn,
they lend to him. Which of us can ever read the words, "These are the
wounds with which I was wounded in the house of my friends," or,
"Behold, I stand at the door and knock," without being helped to realize
their meaning by the pathetic allegories of Mr. Millais and Mr. Holman
Hunt? And if, sir, you will pardon the allusion, the verse, "Oh! had I
the wings of a dove," is in my own mind henceforth inseparably
associated, not only with the melody of Mendelssohn, in which we seem to
see the dove hovering, as it were, in a cloud of golden music, but also
with the picture I saw many years ago in this room, of a weary king
sitting on his palace roof, his hair sable silvered, and his crown laid
humbly upon the parapet beside him, whose eyes wistfully follow the
flight of a flock of doves towards the twilight sky.
I am sure that I echo the sentiment of every painter, and of every
author here when I say we are brothers in the effort to make the happy
happier, and the sad less miserable, and in the poet's words, "to teach
the young and the gracious of every age to see, to think, to feel, and
therefore to become more actively and securely virtuous."
"High is our calling, friends! creative art,
(Whether the instruments of words she use
Or pencil pregnant with ethereal hues,)
Demands the service of a mind and heart
Though sensitive, yet in their weakest part
Heroically fashioned--to infuse
Faith in the whispers of the lonely muse,
While the whole world seems adverse to desert
Great is the glory, for the strife was hard."
[Cheers.]
JOHN R. FELLOWS
NORTH AND SOUTH
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account