English literature -- 19th century -- History and criticism
The Anglo-Indian newspaper is not a model, but it afforded a splendid
field for the development of Kipling's abilities. He was not only a
reporter of the ordinary occurrences of his station, but he was
constantly called upon to write short sketches and poems to fill
certain corners in the paper, that varied in size according to the
number and length of the advertisements. Some of the best of his short
sketches and bits of verse were written hurriedly on the composing
stone to satisfy such needs. These sketches and poems he published
himself and sent them to subscribers in all parts of India, but though
their cleverness was recognized by Anglo-Indians, they did not appeal
to the general public. After five years' work at Lahore, Kipling was
transferred to the ALLAHABAD PIONEER, one of the most important of the
Anglo-Indian journals. For the weekly edition of this paper he wrote
many verses and sketches and also served as special correspondent in
various parts of India.
It was in 1889 that the PIONEER sent him on a tour of the world and he
wrote the series of letters afterwards reprinted under the title _From
Sea to Sea_. Kipling, like Stevenson, had to have a story to tell to
bring out all his powers; hence these letters are not among his best
work.
Vividly do I recall Kipling's visit to San Francisco. He came into the
CHRONICLE office and was keenly interested in the fine collections
which made this newspaper's library before the fire the most valuable
on this Coast, if not in the country. He was also much impressed with
the many devices for securing speed in typesetting and other
mechanical work. The only feature of his swarthy face that impressed
one was his brilliant black eyes, which behind his large glasses,
seemed to note every detail. He talked very well, but although he made
friends among local newspapermen, he was unsuccessful in selling any
of his stories to the editors of the Sunday supplements. He soon
went to New York, but there also he failed to dispose of his stories.
[Illustration: RUDYARD KIPLING FROM A CARTOON BY W. NICHOLSON]
Public-domain text, read in full here on John Shaqi.
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