But the beauty of Tragedy does but make visible a quality which, in more
or less obvious shapes, is present always and everywhere in life. In the
spectacle of Death, in the endurance of intolerable pain, and in the
irrevocableness of a vanished past, there is a sacredness, an
overpowering awe, a feeling of the vastness, the depth, the
inexhaustible mystery of existence, in which, as by some strange
marriage of pain, the sufferer is bound to the world by bonds of sorrow.
In these moments of insight, we lose all eagerness of temporary desire,
all struggling and striving for petty ends, all care for the little
trivial things that, to a superficial view, make up the common life of
day by day; we see, surrounding the narrow raft illumined by the
flickering light of human comradeship, the dark ocean on whose rolling
waves we toss for a brief hour; from the great night without, a chill
blast breaks in upon our refuge; all the loneliness of humanity amid
hostile forces is concentrated upon the individual soul, which must
struggle alone, with what of courage it can command, against the whole
weight of a universe that cares nothing for its hopes and fears.
Victory, in this struggle with the powers of darkness, is the true
baptism into the glorious company of heroes, the true initiation into
the overmastering beauty of human existence. From that awful encounter
of the soul with the outer world, renunciation, wisdom, and charity are
born; and with their birth a new life begins. To take into the inmost
shrine of the soul the irresistible forces whose puppets we seem to
be--Death and change, the irrevocableness of the past, and the
powerlessness of man before the blind hurry of the universe from vanity
to vanity--to feel these things and know them is to conquer them.
This is the reason why the Past has such magical power. The beauty of
its motionless and silent pictures is like the enchanted purity of late
autumn, when the leaves, though one breath would make them fall, still
glow against the sky in golden glory. The Past does not change or
strive; like Duncan, after life's fitful fever it sleeps well; what was
eager and grasping, what was petty and transitory, has faded away, the
things that were beautiful and eternal shine out of it like stars in the
night. Its beauty, to a soul not worthy of it, is unendurable; but to a
soul which has conquered Fate it is the key of religion.
Public-domain text, read in full here on John Shaqi.
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