And by the way, Max Beerbohm's parody of Belloc, in _A Christmas
Garland_, is something not to be missed. It is one of the best
proofs that Belloc is a really great artist. Beerbohm does not
waste his time mimicking the small fry.
Hilaire Belloc--son of a French father and an English mother; his
happy junction of both English and French genius in prose is
hereditary--was born in France in 1870. He lived in Sussex as a
child; served in the French field artillery; was at Balliol
College, Oxford, 1893-95, and sat four years (1906-10) in the House
of Commons. Certainly you must read (among his gatherings of
essays) _On Nothing_, _On Everything_, _On Something_, _Hills and
the Sea_, _First and Last_; then you can read _The Path to Rome_,
and _The Four Men_, and _Caliban's Guide to Letters_ and _The
Pyrenees_ and _Marie Antoinette_. If you desire the bouillon (or
bullion) of his charm, there is _A Picked Company_, a selection (by
Mr. E. V. Lucas) of his most representative work. It is published
by Methuen and Company, 36 Essex Street W. C., London.
Having done so, come again: we will go off in a corner and talk
about Mr. Belloc.
There is a valley in South England remote from ambition and from fear,
where the passage of strangers is rare and unperceived, and where the
scent of the grass in summer is breathed only by those who are native to
that unvisited land. The roads to the Channel do not traverse it; they
choose upon either side easier passes over the range. One track alone
leads up through it to the hills, and this is changeable: now green
where men have little occasion to go, now a good road where it nears the
homesteads and the barns. The woods grow steep above the slopes; they
reach sometimes the very summit of the heights, or, when they cannot
attain them, fill in and clothe the coombes. And, in between, along the
floor of the valley, deep pastures and their silence are bordered by
lawns of chalky grass and the small yew trees of the Downs.
The clouds that visit its sky reveal themselves beyond the one great
rise, and sail, white and enormous, to the other, and sink beyond that
other. But the plains above which they have traveled and the Weald to
which they go, the people of the valley cannot see and hardly recall.
The wind, when it reaches such fields, is no longer a gale from the
salt, but fruitful and soft, an inland breeze; and those whose blood was
nourished here feel in that wind the fruitfulness of our orchards and
all the life that all things draw from the air.
In this place, when I was a boy, I pushed through a fringe of beeches
that made a complete screen between me and the world, and I came to a
glade called No Man's Land. I climbed beyond it, and I was surprised and
glad, because from the ridge of that glade, I saw the sea. To this place
very lately I returned.
Public-domain text, read in full here on John Shaqi.
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