But it is from the old folk-stories rather than from the records of contemporary or recent experience that the character of the Nereids as lovers or wives is best learnt. And herein they are not models of womanhood; passion indeed they feel and inspire; they suffer, they even seek the caresses of the young and brave; but true wives they will not long remain. Constancy and care are not for them; the longing for freedom and the breezes of heaven, the memory of rapid tuneful dance, are hot within them; they leave the men whose strength and valour snared their hearts, they forsake their homes and children, and on the wings of the wind are gone, seeking again their etherial unwearied fellows. Yet they do not altogether forget their children; for motherhood is presently more to them than mirth; ever and anon they steal back to visit their homes and bless their children with the gifts of beauty and wealth which their touch can bestow, and even stay to mend their husbands’ clothes and clean the house, vanishing again however before the man’s return. Only in one case have I heard of a nymph’s continued intimacy with a man throughout his life, and that strangely enough not in a folk-story but in recent experience. Their relations, it must be acknowledged, were illicit, for he had a human wife and family; but it was commonly reported that his rise from penury to affluence and the mayoralty of his native village was the work of a Nereid in a cave near by, who of her love for him enriched the produce of his land and shielded his flocks from pestilence. In the popular stories which deal with the marriages of Nereids, the bridal fashion of their dress, which has already been noticed, is often an essential feature of the plot. In one tale it is said explicitly that the supernatural quality of the Nereids lies not in their persons but in their raiment[310]; and for this reason a prince, smitten with love of the youngest of three sister Nereids but knowing not how to win her, is counselled by a wise woman, to whom he confides his perplexity, to lie in wait when they go to bathe in their accustomed pool and to steal the clothes of his _inamorata_, who would then follow him to recover her loss and so be in his power to take to wife. But there is greater delicacy and, as we shall see, more certain antiquity also in the commoner version of the episode, in which a kerchief alone is possessed of the magic powers ascribed above to the whole dress. And in this detail of costume the resemblance of bride and Nereid still holds good; for no wedding-dress would be complete without a kerchief either wrapped about the bride’s head or pinned upon her breast or carried in her hand to form a link with her neighbour in the chain of dancers[311]. Of the stories which have for their _motif_ the theft of such a kerchief from a Nereid[312] the following Messenian tale is a good example.