‘So the lad departed and tramped on for twenty hours. Then he came to a village by the sea, and saw some men busy lading a boat with oil, and they were carrying on board each one a barrel. When he drew near to them, he said, “Can you carry but one barrel at a time, my good fellows? See how many I will carry.” So saying, he took a barrel on each shoulder, and placed them in the boat. Then said the captain to him, “Thank you, my lad” (for he was afraid of him), “come and have some food.” “No, thank you, captain,” he replied, “I do not want any. But when you are passing yonder straits, please take me along with you.” The captain was delighted to do so, for in the sea at that place there was a Gorgon, and from every boat that passed she took one man as toll and devoured him, or else swamped the whole boat. So they set out, and as they were going the captain said to the lad, “Take a turn at the tiller, my boy, that we may go and sleep, for we are tired.” Accordingly they went below--to sleep, so they pretended--and the lad remained at the helm. Suddenly the boat stopped. He was looking about on each side when he heard a voice behind him. He turned at once and saw a beautiful woman with golden hair, who said to him, “Give me my tribute.” “What tribute?” replied the lad. “The man whom I devour from each boat that passes.” “Give me your hand,” said the lad to her. Straightway without demur she gave it to him, and tried to pull him down into the sea. At this the lad grew angry. “Come up, you she-devil, come up here,” he cried, and dashed her upon the deck. Then he belaboured her soundly, and said to her: “Swear to me that you will never molest man again, or I will not let you go.” “I swear,” she said, “by my mother the sea and by my father Alexander, that I will molest none.” Then he threw her back into the sea.’ Apart from the description of the Gorgon in this story, as in others, as a ‘beautiful woman with golden hair,’ the tradition which has contributed chiefly to the invention of the episode is the ancient myth of Scylla and, we may perhaps add, of Charybdis; for here too the straits are the scene of alternative horrors, either the devouring of one man out of the crew or the sinking of the whole craft. But in spite of the fusion of both Scylla and the Sirens with the Gorgons in the crucible of popular imagination, analysis of the complex modern conception still reveals two elements in the Gorgons’ nature which vindicate their claim to their ancient name, their association with the sea and the terror that they inspire. § 13. THE CENTAURS. ἈΝΆΓΚΗ ΜΕΤᾺ ΤΟΥ͂ΤΟ ΤῸ ΤΩ͂Ν ἹΠΠΟΚΕΝΤΑΎΡΩΝ ΕἾΔΟΣ ἘΠΑΝΟΡΘΟΥ͂ΣΘΑΙ. PLATO, _Phaedrus_, 7.