I shall not attempt to enumerate here all the petty uses of magic of which I have heard or read: indeed an exhaustive treatment of the subject, even for one who had devoted a lifetime to cultivating an intimacy with Greek witches, would be hardly possible; for their secrets are not lightly divulged, and new circumstances may at any time require the invention of new methods. I propose only to describe some of the best known and most widely spread practices, some beneficent, others mischievous. Most of them will be seen to be based on the primitive and worldwide principle of sympathetic magic,--the principle that a relation, analogy, or sympathy existing, or being once established, between two objects, that which the one does or suffers, will be done or suffered also by the other. If it be desired to cause physical injury or death to an enemy, the simplest and surest method is to make an image of him in some malleable material,--wax, lead, or clay,--and, if opportunity offer, to knead into it or attach to it some trifle from the enemy’s person. Three hairs from his head are a highly valuable acquisition, but parings of his nails or a few shreds of his clothing will serve: or again the image may be put in some place where his shadow will fall upon it as he passes. These refinements of the practice, however, are not indispensable; the image by itself will suffice. This being made, the treatment of it varies according to the degree of suffering which it is desired to inflict. Acute pain may be caused to the man by driving into his image pins or nails. This device is popularly known as κάρφωμα, ‘pinning’ or ‘nailing,’ and many variations of it are practised. One case recorded in some detail was that of a priest’s wife who from her wedding-day onward was a prey to various pains and ills. The priest tried in vain to relieve them by prayer, and finally called in a witch to aid him. After performing certain occult rites of divination, she informed him that he must dig in the middle of his courtyard. There he found a tin, which on being opened revealed an assortment of pernicious charms,--one of his wife’s bridal shoes with a large nail through it, a dried-up bit of soap (presumably from the bridal bath) stuck full of pins, a wisp of hair (probably some of the bride’s combings) all in a tangle, and lastly a padlock. The nail and pins were at once pulled out and the hair carefully disentangled, with the result that the woman was freed from her pains and her complicated ailments. But the padlock could not be undone, and was thrown away into the sea, with the result that the woman remained childless. The bride had been ‘nailed’ (καρφωμένη) by a rival. In this case, it is true, no waxen or leaden image was used, but the principle is the same. The use of an image is only preferable as allowing the maker of it to select any part of the body which he wishes to torture.