He spread upon the floor wonderful samples of the skill and taste of his artists, brocades embroidered with jewels for the ceremonial robes of native princes; silks and satins whose surface was concealed by patterns wrought in gold and silver thread. And everything is done by men. Women do not embroider in India. He keeps eighty men embroiderers constantly employed, and pays them an average of 18 cents a day. The most famous of his artists, those who design as well as execute the delicate and costly garnishings, the men who made the coronation robe of the British queen, receive the munificent compensation of 42 cents a day. That is the maximum paid for such work. Apprentices who do the filling in and coarser work and have not yet acquired sufficient skill and experience to undertake more important tasks are paid 8 cents a day and work twelve hours for that. Delhi is the principal distributing point for the famous Cashmere shawls which are woven of the hair of camels, goats and sheep in the province of Cashmere, which lies to the northward about 300 miles. They are brought packed in panniers on the backs of camels. I was told at Delhi that the foreign demand for Cashmere shawls has almost entirely ceased, that a very few are shipped from India nowadays because in Europe and America they are no longer fashionable. Hence prices have gone down, the weavers are dependent almost entirely upon the local market of India, and one can obtain good shawls for very low prices--about half what they formerly cost. In northern India every Hindu must have a shawl; it is as necessary to him as a hat or a pair of boots to a citizen of Chicago or New York, and it is customary to invest a considerable part of the family fortune in shawls. They are handed down from generation to generation, for they never wear out; the older they are the more valuable they are considered. You often see a barefooted, bare-legged peasant with his head wrapped in a Cashmere shawl that would bring a thousand dollars in a London auction-room. It is considered absolutely essential for every young man to wear one of those beautiful fabrics, and if there is none for him in the family he saves his earnings and scrimps and borrows and begs from his relations until he gets enough money together to buy one. Most of the shawls are of the Persian pattern familiar to us. The groundwork is a solid color (white and yellow seem to be the most popular), and there are a good many of blue, green, orange and pink. A crowd of Hindus in this part of the country suggest a kaleidoscope as they move about with their brilliant colored shawls upon their shoulders.