The amount and fineness of embroidery upon the border and in
the corners of shawls give them their value, and sometimes there
is an elaborate design in the center. The shawl itself is so
fine that it can be drawn through a finger ring or folded up
and stowed away in an ordinary pocket, but it has the warmth
of a Scotch blanket. Shawls are woven and embroidered in the
homes of the people of Cashmere, and are entirely of hand work.
There are no factories and no steam looms, and every stitch of
the decoration is made with an ordinary needle by the fingers
of a man. Women do not seem to have acquired the accomplishment.
A great deal of fun used to be made at the expense of Queen Victoria,
who was in the habit of sending a Cashmere shawl whenever she was
expected to make a wedding present, and no doubt it was rather
unusual for her to persist in forcing unfashionable garments
upon her friends. But there is another way of looking at it.
The good queen was deeply interested in promoting the native
industries of India, and bought a large number of shawls every
year from the best artists in Cashmere. Up there shawl-makers
have reputations like painters and orators with us, and if you
would ask the question in Cashmere any merchant would give you
the names of the most celebrated weavers and embroiderers. Queen
Victoria was their most regular and generous patron. She not
only purchased large numbers of shawls herself, but did her best
to bring them into fashion, both because she believed it was a
sensible practice, and would advance the prosperity of the heathen
subjects in whom she took such a deep interest.
Public-domain text, read in full here on John Shaqi.
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