Modern Italian Poets; Essays and VersionsHowells, William Dean
History
Modern Italian Poets; Essays and Versions
Howells, William Dean
Italian poetry -- 18th century -- History and criticism; Italian poetry -- 19th century -- History and criticism
In the month of March, 1848, news came to Rome of the insurrection in
Vienna, and a multitude of the citizens assembled to bear the tidings
to the Austrian Ambassador, who resided in the ancient palace of the
Venetian Republic. The throng swept down the Corso, gathering numbers
as it went, and paused in the open space before the Palazzo di
Venezia. At its summons, the ambassador abandoned his quarters, and
fled without waiting to hear the details of the intelligence from
Vienna. The people, incited by a number of Venetian exiles, tore down
the double-headed eagle from the portal, and carried it for a more
solemn and impressive destruction to the Piazza del Popolo, while a
young poet erased the inscription asserting the Austrian claim to
the palace, and wrote in its stead the words, “Palazzo della Dieta
Italiana.”
The sentiment of national unity expressed in this legend had been the
ruling motive of the young poet Francesco Dall' Ongaro's life, and had
already made his name famous through the patriotic songs that were
sung all over Italy. Garibaldi had chanted one of his Stornelli when
embarking from Montevideo in the spring of 1848 to take part in the
Italian revolutions, of which these little ballads had become the
rallying-cries; and if the voice of the people is in fact inspired,
this poet could certainly have claimed the poet's long-lost honors of
prophecy, for it was he who had shaped their utterance. He had ceased
to assume any other sacred authority, though educated a priest, and at
the time when he devoted the Palazzo di Venezia to the idea of united
Italy, there was probably no person in Rome less sacerdotal than he.
Public-domain text, read in full here on John Shaqi.
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