Modern Italian Poets; Essays and VersionsHowells, William Dean
History
Modern Italian Poets; Essays and Versions
Howells, William Dean
Italian poetry -- 18th century -- History and criticism; Italian poetry -- 19th century -- History and criticism
he swore to support it. The Pope and the other princes, even the
Austrians, had given constitutions and sworn oaths, but their memories
were bad, and their repute for veracity was so poor that they were not
believed or trusted. The Italians had then the idea of freedom and
independence, but not of unity, and their enemies easily broke, one
at a time, the power of states which, even if bound together, could
hardly have resisted their attack. In a little while the Austrians
were once more in Milan and Venice, the dukes and grand-dukes in their
different places, the Pope in Rome, the Bourbons in Naples, and all
was as if nothing had been, or worse than nothing, except in Sardinia,
where the constitution was still maintained, and the foundations of
the present kingdom of Italy were laid. Carlo Alberto had abdicated on
that battle-field where an Austrian victory over the Sardinians sealed
the fate of the Italian states allied with him, and his son, Victor
Emmanuel, succeeded him. As to what took place ten years later, when
the Austrians were finally expelled from Lombardy, and the transitory
sovereigns of the duchies and of Naples flitted for good, and the
Pope's dominion was reduced to the meager size it kept till 1871, and
the Italian states were united under one constitutional king--I need
not speak.
In this way the governments of Italy had been four times wholly
changed, and each of these changes was attended by the most marked
variations in the intellectual life of the people; yet its general
tendency always continued the same.
III
The longing for freedom is the instinct of self-preservation in
literature; and, consciously or unconsciously, the Italian poets of
the last hundred years constantly inspired the Italian people with
ideas of liberty and independence. Of course the popular movements
affected literature in turn; and I should by no means attempt to
say which had been the greater agency of progress. It is not to be
supposed that a man like Alfieri, with all his tragical eloquence
against tyrants, arose singly out of a perfectly servile society. His
time was, no doubt, ready for him, though it did not seem so; but, on
the other hand, there is no doubt that he gave not only an utterance
but a mighty impulse to contemporary thought and feeling. He was in
literature what the revolution was in politics, and if hardly any
principle that either sought immediately to establish now stands, it
is none the less certain that the time had come to destroy what they
overthrew, and that what they overthrew was hopelessly vicious.
Public-domain text, read in full here on John Shaqi.
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