Modern Italian Poets; Essays and VersionsHowells, William Dean
History
Modern Italian Poets; Essays and Versions
Howells, William Dean
Italian poetry -- 18th century -- History and criticism; Italian poetry -- 19th century -- History and criticism
It was the fortune of Monti, as I have said, to sing all round
and upon every side of every subject, and he was governed only by
knowledge of which side was for the moment uppermost. If a poem
attacked the French when their triumph seemed doubtful, the offending
verses were erased as soon as the French conquered, and the same poem
unblushingly exalted them in a new edition;--now religion and the
Church were celebrated in Monti's song, now the goddess of Reason and
the reign of liberty; the Pope was lauded in Rome, and the Inquisition
was attacked in Milan; England was praised whilst Monti was in the
anti-French interest, and as soon as the poet could turn his coat of
many colors, the sun was urged to withdraw from England the small
amount of light and heat which it vouchsafed the foggy island; and the
Rev. Henry Boyd, who translated the _Bassvilliana_ into our tongue,
must have been very much dismayed to find this eloquent foe of
revolutions assailing the hereditary enemy of France in his next poem,
and uttering the hope that she might be surrounded with waves of blood
and with darkness, and shaken with earthquakes. But all this was
nothing to Monti's treatment of the shade of poor King Louis XVI. We
have seen with how much ceremony the poet ushered that unhappy
prince into eternal bliss, and in Mr. Boyd's translation of the
_Bassvilliana_, we can read the portents with which Monti makes the
heavens recognize the crime of his execution in Paris.
Then from their houses, like a billowy tide,
Men rush enfrenzied, and, from every breast
Banished shrinks Pity, weeping, terrified.
Now the earth quivers, trampled and oppressed
By wheels, by feet of horses and of men;
The air in hollow moans speaks its unrest;
Like distant thunder's roar, scarce within ken,
Like the hoarse murmurs of the midnight surge,
Like the north wind rushing from its far-off den.
* * * * *
Through the dark crowds that round the scaffold flock
The monarch see with look and gait appear
That might to soft compassion melt a rock;
Melt rocks, from hardest flint draw pity's tear,--
But not from Gallic tigers; to what fate,
Monsters, have ye brought him who loved you dear?
It seems scarcely possible that a personage so flatteringly attended
from the scaffold to the very presence of the Trinity, could afterward
have been used with disrespect by the same master of ceremonies; yet
in his Ode on Superstition, Monti has later occasion to refer to the
French monarch in these terms:
The tyrant has fallen. Ye peoples
Oppressèd, rise! Nature breathes freely.
Proud kings, bow before them and tremble;
Yonder crumbles the greatest of thrones!
(_Repeat_.) There was stricken the vile perjurer Capet,
(He will only give Louis his family name!)
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account