Modern Italian Poets; Essays and VersionsHowells, William Dean
History
Modern Italian Poets; Essays and Versions
Howells, William Dean
Italian poetry -- 18th century -- History and criticism; Italian poetry -- 19th century -- History and criticism
Who had worn out the patience of God!
In that pitiless blood dip thy fingers,
France, delivered from fetters unworthy!
'T is blood sucked from the veins of thy children
Whom the despot has cruelly wronged!
O freemen to arms that are flying,
Bathe, bathe in that blood your bright weapons,
Triumph rests 'mid the terror of battle
Upon swords that have smitten a king!
This, every one must allow, was a very unhandsome way of treating an
ex-martyr, but at the time Monti wrote he was in Milan, in the midst
of most revolutionary spirits, and he felt obliged to be rude to the
memory of the unhappy king. After all, probably it did not hurt the
king so much as the poet.
IV
The troubled life of Ugo Foscolo is a career altogether wholesomer
than Monti's to contemplate. There is much of violence, vanity, and
adventure in it, to remind of Byron; but Foscolo had neither the
badness of Byron's heart nor the greatness of his talent. He was,
moreover, a better scholar and a man of truer feeling. Coming to
Venice from Zante, in 1793, he witnessed the downfall of a system
which Venetians do not yet know whether to lament or execrate; and he
was young and generous enough to believe that Bonaparte really
meant to build up a democratic republic on the ruins of the fallen
oligarchy. Foscolo had been one of the popular innovators before the
Republic perished, and he became the secretary of the provisional
government, and was greatly beloved by the people. It is related that
they were so used to his voice, and so fond of hearing it, that one
day, when they heard another reading in his place, they became quite
turbulent, till the president called out with that deliciously
caressing Venetian familiarity, _Popolo, ste cheto; Foscolo xe
rochio_! “People, be quiet; Foscolo is hoarse.” While in this office,
he brought out his first tragedy, which met with great success; and
at the same time Napoleon played the cruel farce with which he had
beguiled the Venetians, by selling them to Austria, at Campo-Formio.
Foscolo then left Venice, and went to Milan, where he established
a patriotic journal, in which a genuine love of country found
expression, and in which he defended unworthy Monti against the
attacks of the red republicans. He also defended the Latin language,
when the legislature, which found time in a season of great public
peril and anxiety to regulate philology, fulminated a decree against
that classic tongue; and he soon afterward quitted Milan, in despair
of the Republic's future. He had many such fits of disgust, and in one
of them he wrote that the wickedness and shame of Italy were so great,
that they could never be effaced till the two seas covered her. There
was fighting in those days, for such as had stomach for it, in every
Public-domain text, read in full here on John Shaqi.
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