Modern Italian Poets; Essays and Versions — John Shaqi
Modern Italian Poets; Essays and VersionsHowells, William Dean
History
Modern Italian Poets; Essays and Versions
Howells, William Dean
Italian poetry -- 18th century -- History and criticism; Italian poetry -- 19th century -- History and criticism
One day, near the close of the seventeenth century, a number of
ladies and gentlemen--mostly poets and poetesses according to their
thinking were assembled on a pleasant hill in the neighborhood of
Rome. As they lounged upon the grass, in attitudes as graceful and
picturesque as they could contrive, and listened to a sonnet or an
ode with the sweet patience of their race,--for they were all
Italians,--it occurred to the most conscious man among them that here
was something uncommonly like the Golden Age, unless that epoch had
been flattered. There had been reading and praising of odes and
sonnets the whole blessed afternoon, and now he cried out to the
complaisant, canorous company, “Behold Arcadia revived in us!”
This struck everybody at once by its truth. It struck, most of all, a
certain Giovan Maria Crescimbeni, honored in his day and despised in
ours as a poet and critic. He was of a cold, dull temperament; “a mind
half lead, half wood”, as one Italian writer calls him; but he was an
inveterate maker of verses, and he was wise in his own generation. He
straightway proposed to the tuneful _abbés, cavalieri serventi_, and
_précieuses_, who went singing and love-making up and down Italy in
those times, the foundation of a new academy, to be called the Academy
of the Arcadians.
Literary academies were then the fashion in Italy, and every part of
the peninsula abounded in them. They bore names fanciful or grotesque,
such as The Ardent, The Illuminated, The Unconquered, The Intrepid, or
The Dissonant, The Sterile, The Insipid, The Obtuse, The Astray,
The Stunned, and they were all devoted to one purpose, namely, the
production and the perpetuation of twaddle. It is prodigious to think
of the incessant wash of slip-slop which they poured out in verse; of
the grave disputations they held upon the most trivial questions; of
the inane formalities of their sessions. At the meetings of a famous
academy in Milan, they placed in the chair a child just able to talk;
a question was proposed, and the answer of the child, whatever it was,
was held by one side to solve the problem, and the debates, _pro_ and
_con_, followed upon this point. Other academies in other cities had
other follies; but whatever the absurdity, it was encouraged alike by
Church and State, and honored by all the great world. The governments
of Italy in that day, whether lay or clerical, liked nothing so well
as to have the intellectual life of the nation squandered in the
trivialities of the academies--in their debates about nothing, their
odes and madrigals and masks and sonnets; and the greatest politeness
you could show a stranger was to invite him to a sitting of your
academy; to be furnished with a letter to the academy in the next city
was the highest favor you could ask for yourself.
Public-domain text, read in full here on John Shaqi.
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