Modern literature: a novel, Volume 2 (of 3) — John Shaqi
Modern literature: a novel, Volume 2 (of 3)Bisset, Robert
General
Modern literature: a novel, Volume 2 (of 3)
Bisset, Robert
England -- Social life and customs -- 18th century -- Fiction
“Do, dear William,” said his mother; “but do not let it
be one song,” and here the tears filled her eyes. William, affected by
the allusion to an air, which he knew was the delight of his revered
father, requested his friend Mortimer to sing, promising he should go
on next. The penetration of Mrs. Somerive saw that a tender string had
been touched, and her feeling heart was affected. Mrs. Hamilton now
proposed to withdraw, saying, she would hear William’s other song after
tea. The ladies retired, and Miss Mortimer was very expeditious, both
in ordering and announcing coffee. Meanwhile, the captain had promoted
a very quick circulation of the bottle, and begun a round of toasts,
which he insisted should be completed, before any of the gentlemen
should leave him. Dr. Wentbridge and his venerable father claimed
a privilege of exemption, by all allowed to belong to their cloth,
_though very frequently not claimed_, and was suffered to join the
female part of the company. Before this round was over, Etterick had
become remarkably facetious, cracked jokes, and told comical stories;
but his countenance, though somewhat exhilarated, still retained the
characteristic gravity of a long Scottish face. He also entered into
narratives, which, in point of subject, formed a great contrast with
the seriousness of voice and manner. His composure of countenance did
not arise from a desire of enhancing the mirth by apparent sedateness,
but from habitual cast of muscles. Their young companions left the
three old gentlemen to themselves; Hamilton, though not intoxicated,
was in that state, which, without much disordering the understanding,
opens the heart. Accosting Mrs. Somerive, he asked her, whether she,
who was such an exquisite judge, and perfect exhibitor of beauty, had
ever seen, or could conceive any object, more lovely and fascinating
than his charming Maria? But she resembles Sophia Western more than
any of your beauties; she has the taste and genius of your heroine; the
understanding of her first friend, with all the fascinating softness
of your hero’s younger sister. Maria, wishing to shift the subject
of conversation from herself, made some remark on the one who first
appeared likely to prove the hero, and wished it had been possible
to have carried on the story without his death; but I don’t see how
it could have been managed. “I could have been very well pleased,”
said Hamilton, “if that fiery youth had wreaked his vengeance on the
villainous attorney and his two sons.” Maria now, at the request of
Hamilton, favoured them with a song, which happened to be “One day I
heard Mary say,” which she performed with exquisite taste and pathos,
and appeared to our hero to dwell with peculiar softness on the words,
“I’ll never leave thee;” Hamilton thought he had never seen her so
bewitching, and whispered to her, that he could live no longer without
her; and that unless she consented to be immediately his, his reason,
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