The phenomena of modern magic were first imperfect rappings against the wall, the legs of a table or a chair, accompanied by the motion of tables; then followed spirit-writing by the aid of a psychograph or a simple pencil, and finally came direct "spirit-writings," drawings by the media, together with musical and poetical inspirations, the whole reaching a climax in spirit-photographs. The ringing of bells, the dancing of detached hands in the air, the raising up of the entire body of a man, and musical performances without human aid were only accomplished in a few cases by specially favored individuals. Two facts alone are fully established in connection with all these phenomena: one, that some of the latter at least are not produced by the ordinary forces of nature; and the other, that the performers are generally, and the medium always, in a more or less complete state of trance. In this condition they forget themselves, give their mind up entirely into the hands of others--the media--and candidly believe they see and hear what they are told by the latter is taking place in their presence. Hence also the well-established fact that the spirits have never yet revealed a single secret, nor ever made known to us anything really new. Their style is invariably the same as that in which ecstatic and somnambulistic persons are apt to speak. A famous German spiritualist, Hornung, whose faith was well known, once laid his hands upon his planchette together with his wife, and then asked if there really was a world of spirits? To the utter astonishment of all present, the psychograph replied No! and when questioned again and again, became troublesome. The fact was simply that the would-be magician's wife did not believe in spirits, and as hers was the stronger will, the answer came from her mind and not from her husband's. On the other hand, it cannot be denied that media--most frequently delicate women of high nervous sensibility, and almost always leading lives of constant and wearying excitement--become on such occasions wrought up to a degree which resembles somnambulism and may really enable them, occasionally, in a state of clairvoyance, to see what is hidden to others. It is they who are "vitalized," as they call it, and not the knocking table, or the writing planchette, and hence arises the necessity of a medium for all such communications. That there are no spirits at work in these phenomena requires hardly to be stated; even the most ardent and enthusiastic adherents of the new magic cannot deny, that no original revelation concerning the world of spirits has yet been made, but that all that is told is but an echo of the more or less familiar views of men. It is far more interesting to notice, with Coleman, the electric and hygroscopic condition of the atmosphere, which has evidently much to do with such exhibitions. The visions of hands, arms, and heads, which move about in the air and may occasionally even be felt, are either mere