The Christian era gave to magic phenomena a new and specific character; what was a miracle in apostolic times remained in the eyes of the multitude a miracle to our day, when performed by saints of the church--it became a crime and an abomination when the authors were laymen, and yet both differed in no single feature. The most remarkable representative of this dual nature of supernatural performances is, no doubt, Dr. Faust, whom the great and pious Melanchthon states to have well known as a native of the little village of Knittlingen, near his own birth-place, and as a man of dissolute habits, whom the Devil carried off in person. His motto, which has been discovered under a portrait of his (Hauber's "Bibl. Mag."), was characteristic of his faith: _Omne bonum et perfectum a Deo, imperfectum a diabolo_. His vast learning, his great power over the elements, and the popular story of his pact with the Evil One, made him a hero among the Germans, of whose national tendencies he was then the typical representative. Unfortunately, however, nearly every Christian land has had its own Faust; such was, for instance, in Spain the famous Dr. Toralba, who lived in the sixteenth century, and by the aid of a servile demon read the future, healed the sick, traveled through the air, and even when he fell into the hands of the Inquisition, obtained his release through the Great Admiral of Castile. Gilles de Laval, who was publicly burnt in 1440, and Lady Fowlis, of Scotland, are parallel cases.