Modern Musical DriftHenderson, W. J. (William James)
History
Modern Musical Drift
Henderson, W. J. (William James)
Music -- History and criticism; Strauss, Richard, 1864-1949; Wagner, Richard, 1813-1883
To reach the state of mind in which that end is the chief object,
one must rid himself of all desire and yearn to arrive at a complete
negation of the will to live. Recall "Tristan und Isolde." The first
step toward the negation of the will to live is perfect sympathy with
suffering. Then comes asceticism, which leads directly away from life
toward a condition of abstraction.
Here the thought touches the monasticism of the early Church and
avows a kinship with the Buddhistic doctrine. Withdrawal from the
world and safety by absorption into the universal unconsciousness
were the Buddhist's hope of peace. But neither Gautama nor
Schopenhauer had any definite, positive reason for this. Here the
early monk, who was looking out for the salvation of his own precious
soul and letting other people's souls take care of themselves, came
nearer to the ideals of Wagner as set forth in "Parsifal."
No, Schopenhauer did not teach Wagner the doctrine of "enlightenment
by pity," for with Schopenhauer pity was not enlightenment, but the
beginning of a personal abstraction. A man was sorry for others
because they were in the world, the very worst place a man could
inhabit. His sensuous nature made him like the things he found here
(such as flower-maidens, for example); and his duty was to mortify
the flesh, get rid of all his mortal appetites, live in asceticism,
and die as soon as possible. Wagner was fond of grafting his own
ideas on the philosophical systems of bigger men than himself. So
he invented this doctrine of enlightenment. How he worked out his
psychologic plan we shall see presently.
No doubt Wagner had his eye on Buddhism when he wrote "Parsifal."
It is history that he once contemplated a Buddhistic drama, called
"The Victors," in which he was to preach the doctrine of fleshly
renunciation and salvation through the mortification of desire. But
he abandoned the scheme. The story was Eastern, and he did some
delving in Oriental literature.
How the "Four Sublime Verities" of Gautama, the founder of the
Buddhistic religion, must have appealed to him! These were, first,
that pain exists; second, that the cause of pain is desire or
attachment; third, that pain can be ended by Nirvana; and fourth, how
to attain Nirvana.
The way to Nirvana is hard, much harder than the path to the
Christian Heaven, for the man must walk it without aid. There is no
vicarious sacrifice in the religion of Siddartha. You must walk the
wine-press alone, and drink of the dregs of life. All the best of the
Ten Commandments are found in the precepts of this religion. Added to
them are minor commands looking to complete abstraction.
For example, a Bhikshu (an order of monk) is forbidden to look at
or converse with a woman lest emotion should disturb the serene
indifference of his soul. He must not even save his mother if she is
drowning, except with a long stick reached toward her.
Public-domain text, read in full here on John Shaqi.
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