Modern Musical DriftHenderson, W. J. (William James)
History
Modern Musical Drift
Henderson, W. J. (William James)
Music -- History and criticism; Strauss, Richard, 1864-1949; Wagner, Richard, 1813-1883
The first time she comes when he is about to commit an act of
folly. She tells him to get rid of the ring which he had employed
so much strategy to procure. He promptly obeys her, although he has
never seen her before, and was pretty thoroughly astonished by her
unexpected appearance. The second time she discloses herself when
Wotan is sorely in need of more sound advice. We now learn that
Wotan, who in "Rheingold" had declared that he intended to know
more of the lady, has not wasted his time in idle prating. The nine
Valkyrs are the living proofs of this. Erda is plainly not at all
pleased to meet her old friend again. She gives him another dark and
dismal warning, and leaves him to chew the cud of his own cheerful
reflection.
Freia, the charming young woman for whom the giants wrangle, is a
mere figure in "Rheingold." She might as well be a piece of stage
property. She counts for nothing else. She has no more dramatic
significance than the lumps of gold which the dwarfs lug upon
their straining shoulders. She belongs to the same category as the
delectable Donner and Froh, who stand about in odd corners and try
desperately to look as if they were Vulcan and Apollo, whereas they
are neither.
One feminine character stands alone in "Rheingold." The virtuous
Fricka, type of that species of amiable wife who regards all mortal
desire as utterly depraved and who would joy to wrap herself in a
spotless mantle of _noli me tangere_ and let her husband worship her
on bended knees outside the portals of her holy temple,--she is the
woman with a mission in this splendid tragedy of futile gods and
fumbling mortals.
But Fricka is right, after all. If Wotan had listened to her
advice, he would have come out of all his difficulties much better.
The fount of misfortune, as far as Fricka is concerned, was her
failure to brush the dust off her own garments in the day of the
first temptation. Loge knew where to touch the quick of her woman's
weakness. "Will the gold make pretty ornaments for women?" she asked;
and Loge, who, being the spirit of evil, well knew the root, declared
that there was nothing which it could do better than that. And so
Fricka stood actionless while Wotan went down to Niebelheim to rape
the gold from Alberich.
Short-sighted Fricka! Mean-spirited Fricka! True woman Fricka!
When she has tacitly consented to the theft of the gold, what does
she? Seeing her poor old one-eyed husband struggling to escape the
consequences of his guilt by creating a race of free agents to make
the atonement for him, she pounces upon him with a stern demand that
Siegmund shall die for violating her standards of virtue. But who
ever expected to find a consistent logic in the mind of fair woman,
even a resident of high Olympus?
Public-domain text, read in full here on John Shaqi.
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