Sec. 1. Of simple conception. 147 Sec. 2. How connected with verbal knowledge. 148 Sec. 3. How used in composition. 148 Sec. 4. Characteristics of composition. 149 Sec. 5. What powers are implied by it. The first of the three functions of fancy. 150 Sec. 6. Imagination not yet manifested. 150 Sec. 7. Imagination is the correlative conception of imperfect component parts. 151 Sec. 8. Material analogy with imagination. 151 Sec. 9. The grasp and dignity of imagination. 152 Sec. 10. Its limits. 153 Sec. 11. How manifested in treatment of uncertain relations. Its deficiency illustrated. 154 Sec. 12. Laws of art, the safeguard of the unimaginative. 155 Sec. 13. Are by the imaginative painter despised. Tests of imagination. 155 Sec. 14. The monotony of unimaginative treatment. 156 Sec. 15. Imagination never repeats itself. 157 Sec. 16. Relation of the imaginative faculty to the theoretic. 157 Sec. 17. Modification of its manifestation. 158 Sec. 18. Instances of absence of imagination.--Claude, Gaspar Poussin. 158 Sec. 19. Its presence.--Salvator, Nicolo Poussin, Titian, Tintoret. 159 Sec. 20. And Turner. 160 Sec. 21. The due function of Associative imagination with respect to nature. 161 Sec. 22. The sign of imaginative work is its appearance of absolute truth. 161 CHAPTER III.--Of Imagination Penetrative.