But look at the white clouds carefully, and it will be seen they are not
all of the same white; parts of them are quite grey compared with other
parts, and they are as full of passages of light and shade as if they
were of solid earth. Nevertheless, their most deeply shaded part is
that already so much lighter than the blue sky, which has brought us up
to our number 30, and all these high lights of white are some 10 degrees
above that, or, to white paper, as 40 to 10. And now if you look from
the blue sky and white clouds towards the sun, you will find that this
cloud white, which is four times as white as white paper, is quite dark
and lightless compared with those silver clouds that burn nearer the sun
itself, which you cannot gaze upon,--an infinite of brightness. How will
you estimate that?
And yet to express all this, we have but our poor white paper after all.
We must not talk too proudly of our "truths" of art; I am afraid we
shall have to let a good deal of black fallacy into it, at the best.
Sec. 5. Well, of the sun, and of the silver clouds, we will not talk for
the present. But this principal fact we have learned by our experiment
with the white paper, that, taken all in all, the calm sky, with such
light and shade as are in it, is brighter than the earth; brighter than
the whitest thing on earth which has not, at the moment of comparison,
heaven's own direct light on it. Which fact it is generally one of the
first objects of noble painters to render. I have already marked one
part of their aim in doing so, namely, the expression of infinity; but
the opposing of heavenly light to earth-darkness is another most
important one; and of all ways of rendering a picture generally
impressive (see especially Sec. 12. of the chapter just referred to), this
is the simplest and surest. Make the sky calm and luminous, and raise
against it dark trees, mountains, or towers, or any other substantial
and terrestrial thing, in bold outline, and the mind accepts the
assertion of this great and solemn truth with thankfulness.
Public-domain text, read in full here on John Shaqi.
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