And not only sight of it, but continual and beneficent help from it.
What they have to separate them from barren rock, namely, their moss and
streams, being dependent on its direct help, not on great rivers coming
from distant mountain chains, nor on vast tracts of ocean-mist coming up
at evening, but on the continual play and change of sun and cloud.
§ 4. Note this word "change." The moss-lands have an infinite advantage,
not only in sight, but in liberty; they are the freest ground in all the
world. You can only traverse the great woods by crawling like a lizard,
or climbing like a monkey--the great sands with slow steps and veiled
head. But bare-headed, and open-eyed, and free-limbed, commanding all
the horizon's space of changeful light, and all the horizon's compass of
tossing ground, you traverse the moss-land. In discipline it is severe
as the desert, but it is a discipline compelling to action; and the
moss-lands seem, therefore, the rough schools of the world, in which its
strongest human frames are knit and tried, and so bent down, like the
northern winds, to brace and brighten the languor into which the repose
of more favored districts may degenerate.
§ 5. It would be strange, indeed, if there were no beauty in the
phenomena by which this great renovating and purifying work is done. And
it is done almost entirely by the great Angel of the Sea--rain;--the
Angel, observe, the messenger sent to a special place on a special
errand. Not the diffused perpetual presence of the burden of mist, but
the going and returning of intermittent cloud. All turns upon that
intermittence. Soft moss on stone and rock;--cave-fern of tangled glen;
wayside well--perennial, patient, silent, clear; stealing through its
square font of rough-hewn stone; ever thus deep--no more--which the
winter wreck sullies not, the summer thirst wastes not, incapable of
stain as of decline--where the fallen leaf floats undecayed, and the
insect darts undefiling. Cressed brook and ever-eddying river, lifted
even in flood scarcely over its stepping-stones,--but through all sweet
summer keeping tremulous music with harp-strings of dark water among the
silver fingering of the pebbles. Far away in the south the strong river
Gods have all hasted, and gone down to the sea. Wasted and burning,
white furnaces of blasting sand, their broad beds lie ghastly and bare;
but here the soft wings of the Sea Angel droop still with dew, and the
shadows of their plumes falter on the hills: strange laughings, and
glitterings of silver streamlets, born suddenly, and twined about the
mossy heights in trickling tinsel, answering to them as they wave.[1]
Public-domain text, read in full here on John Shaqi.
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