Poets, Spanish; Spanish poetry -- History and criticism; Spanish poetry -- Translations into English
“Sans doute, Emmanuel, aux champs de Tamise
Triomphe une vertu qu’ailleurs tu crus permise,
Et qui là fier génie a ravi le trident.
Jeune j’y respirai l’orgueil indépendant;
Là, j’admirai l’accord, merveille alors unique,
Qui règle et garantit, sur le sol britannique
Au trône ses splendeurs, aux grands l’autorité,
Aux citoyens leurs droits, qu’on nomma liberté,
Et le temps destructeur y consacre, y conserve
Le plus beau monument élevé par Minerve.”
5. Josè Joaquin Mora, born at Cadiz, 1783, and yet happily surviving,
is another modern poet of great merit. When the French invaded Spain,
he entered a regiment of dragoons in the national cause, and was made
prisoner in 1809, in consequence of which he was detained in France six
years. He took advantage of this residence in that country to pursue
his studies, and on the return of peace he undertook the editorship
of the ‘Scientific and Literary Chronicle of Madrid,’ which, in 1820,
he converted into ‘The Constitutional.’ In 1823 he had to emigrate
to London, where he wrote and published several periodical and other
works, under the auspices of Messrs. Ackerman, besides various
translations. He afterwards went to Buenos Ayres, Chili and Bolivia,
from which last republic he returned to London as Consul-General, and
published, in 1840, his principal work, entitled ‘Spanish Legends.’
This work, which is highly praised by Ochoa, gives, as the title
imports, descriptive accounts of various events in the history of
Spain, according to what seems to be the favourite formula of modern
Spanish poetry. Another work he published, in 1826, entitled ‘Poetical
Meditations,’ is founded principally on Blair’s celebrated poem, ‘The
Grave.’ Wolf pronounces him excelling in his satirical essays, which,
he says, are full of grace and ease.
Public-domain text, read in full here on John Shaqi.
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