Poets, Spanish; Spanish poetry -- History and criticism; Spanish poetry -- Translations into English
Harifa, come! Like me this woe
Thou too hast borne! Thou ne’er dost weep!
But, ah! how wretched ’tis to know
Feelings so bitter and so deep!
The same our sufferings and care;
In vain thou hold’st thy tears apart;
Like me thou also hast to bear
A wounded and an aching heart!
XII.
JOSÈ ZORRILLA.
It has been said that “the life of a poet is ever a romance.” Perhaps
this observation may apply equally well to the history of every man
of ardent genius who enters with characteristic enthusiasm into the
affairs of life, so as to invest even ordinary circumstances with
the glow and hue of his own excited imagination. But this is more
especially the case with poets who make us participate in their
feelings, their joys or their sorrows, so as to give a character of
romance to incidents that with other persons would have passed away as
unnoticed. In the course of the preceding narratives, no doubt, many
instances may be remembered to verify this remark, and the life of
the eminent and deservedly popular poet with which we have to close
the series, even in his yet youthful career, may be found to afford a
further exemplification of it.
On the 14th February, 1837, a funeral car, over which was placed a
crown of laurel, had to traverse the streets of Madrid, bearing to
their resting-place in the cemetery, the remains of the talented but
wrong-minded Larra. The car was followed by an immense concourse of
mourners, principally young men of the first classes of Madrid, who
were so testifying their regret for the loss they had sustained. The
whole scene presented a spectacle of homage paid to genius, such as
had seldom been witnessed. It was such as power might have envied, and
as worth scarcely ever attained. Melancholy as had been the end of
the unhappy being they mourned, envy and hatred had become silenced,
morality and charity joined in regret, and no one disputed the
propriety of the funeral honours paid to the dead.
It was already late when the ceremonies were concluded, and the
darkening shadows of the night, in such a place and on such an
occasion, gave the countenances of all assembled an extraordinary
character. The shock they had felt, to lose so suddenly from among them
one so well-known to them all, in the fulness of youth and intellect,
in the height of fame and popularity, without any apparent motive and
enveloped in mystery, was of itself sufficient to penetrate their minds
with sorrow. They felt that a bright light had been extinguished,
and they feared there was no hope of another arising to shine in its
place. A strange spell seemed to have come over the bystanders, and
they lingered round the vault with an unaccountable disinclination to
separate.
Public-domain text, read in full here on John Shaqi.
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