Poets, Spanish; Spanish poetry -- History and criticism; Spanish poetry -- Translations into English
Another instance of Zorrilla’s high-mindedness and true Castilian pride
has been recorded. On his father’s property having been sequestrated
by the government, it was intimated to him that if he applied he might
have the administration of it, which was tantamount to giving him
possession of it. But he replied that he would neither apply for it
nor accept it, for while his father lived, he could acknowledge no one
else as entitled to it. His father having since died, Zorrilla has
come by law into possession of his estates, and has thus had the rare
fortune, for a poet, to be possessed of considerable wealth. He has had
several offers of appointments from the government, but he has declined
them, contented to live according to his own fancies and occupied with
his own peculiar pursuits. His extraordinary facility for composing
verses is such as scarcely to allow his compositions to be termed
studies; but with them and his attendances at the theatre, and other
recreations, or at literary reunions, he is said to pass away his hours
in ease and contentment. The first volume of his poems, it has been
already intimated, was published before he was twenty-one years of age.
Within three years afterwards seven others were published; and in the
eighth, to the poem of ‘The Duke and the Sculptor,’ was appended the
following note to his wife:--“Dedicated to the Señora Matilda O’Reilly
de Zorrilla. I began the publication of my poems with our acquaintance,
and I conclude them with thy name. Madrid, 10 October, 1840.”
What were the circumstances attending this acquaintance or union,
we are not informed; but it is fortunate for the world that the
intimation it might convey of its being the conclusion of his literary
works has not been fulfilled. Since then he has published ‘Songs of
the Troubadour,’ in three volumes, and other minor poems and plays
separately. A larger work he meditated on the conquest of Granada, to
be entitled ‘The Cross and the Crescent,’ has not been completed; and
another he projected with the title ‘Maria,’ intending to celebrate the
different characters under which the Holy Virgin is venerated in Roman
Catholic countries, he has published, with the greater part supplied by
a friend, all very inferior to what might have been expected from him.
Public-domain text, read in full here on John Shaqi.
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