Poets, Spanish; Spanish poetry -- History and criticism; Spanish poetry -- Translations into English
Hereupon Quintana retired to Estremadura to his family, and lived there
till the end of 1828, when he was permitted to return to Madrid, to
continue his labours and literary studies. The following year he was
named member of the board for the museum of natural sciences, and in
1833 was re-established in his former employment, as secretary for
interpretations for which his knowledge of the French, English and
other languages rendered him qualified, and also reappointed president
of the council of public instruction. He was shortly after appointed
preceptor to her present Majesty, Queen Isabel II., and although ever
maintaining strong liberal principles, has been since, under the
administration of Narvaez, named a senator of the kingdom.
Quintana first appeared as an author in 1795, when he published a
small volume of poems, among which was an Ode to the Sea, considered
one of his best compositions. The greater part, however, of them were
of unequal merit, and those have been omitted in subsequent editions:
the next one was published in 1802, and it has been reprinted with
additions several times. The best and most complete edition of his
poetical works was published at Madrid, in 1820, in two volumes,
entitled, ‘Poems, including the patriotic odes and tragedies, the
Duke of Viseo, and Pelayo.’ Of this edition five or six surreptitious
reprints have been made at Bordeaux and elsewhere, the laws regarding
copyright having only lately been made accordant with justice in Spain
as regards authors, though they do not yet extend them protection
against piratical republications from abroad.
The tragedy of the ‘Duke of Viseo,’ imitated from the English, the
‘Castle Spectre’ of Lewis, was brought forward in 1801, and that of
‘Pelayo’ in 1805. The latter, on a favourite subject of their ancient
history, was received with much favour by his countrymen, as were also
many of his patriotic odes and poems, written in a spirit accordant
with the national feeling. Most of these were at the time inserted in
two periodical works he had under his direction; the first, ‘Variedades
de Ciencias, Literatura y Artes,’ and the second, the ‘Seminario
Patriotico,’ which was of a political character, and established to
promote, and sustain the spirit of independence, against the French
invasion.
Public-domain text, read in full here on John Shaqi.
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