Modern Prose And Poetry; For Secondary Schools: Edited With Notes, Study Helps, And Reading Lists
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Modern Prose And Poetry; For Secondary Schools: Edited With Notes, Study Helps, And Reading Lists
American literature
For half a mile down-stream there is barely a current. Then comes a
break of a dozen yards just below the perched-up bridge, and the stream
divides, one part rushing like a mill-race, and the other spreading
itself softly around the roots of leaning willows, oozing through beds
of water-plants, and creeping under masses of wild grapes and
underbrush. Below this is a broad pasture fringed with another and
larger growth of willows. Here the weeds are breast-high, and in early
autumn they burst into purple asters, and white immortelles, and
goldenrod, and flaming sumac.
If a painter had a lifetime to spare, and loved this sort of
material,--the willows, hillsides, and winding stream,--he would grow
old and weary before he could paint it all; and yet no two of his
compositions need be alike. I have tied my boat under these same willows
for ten years back, and I have not yet exhausted one corner of this
neglected pasture.
There may be those who go a-fishing and enjoy it. The arranging and
selecting of flies, the joining of rods, the prospective comfort in high
water-boots, the creel with the leather strap,--every crease in it a
reminder of some day without care or fret,--all this may bring the flush
to the cheek and the eager kindling of the eye, and a certain sort of
rest and happiness may come with it; but--they have never gone
a-sketching! Hauled up on the wet bank in the long grass is your boat,
with the frayed end of the painter tied around some willow that offers a
helping root. Within a stone's throw, under a great branching of gnarled
trees, is a nook where the curious sun, peeping at you through the
interlaced leaves, will stencil Japanese shadows on your white umbrella.
Then the trap is unstrapped, the stool opened, the easel put up, and you
set your palette. The critical eye with which you look over your
brush-case and the care with which you try each feather point upon your
thumb-nail are but an index of your enjoyment.
Now you are ready. You loosen your cravat, hang your coat to some rustic
peg in the creviced bark of the tree behind you, seize a bit of charcoal
from your bag, sweep your eye around, and dash in a few guiding
strokes. Above is a turquoise sky filled with soft white clouds; behind
you the great trunks of the many-branched willows; and away off, under
the hot sun, the yellow-green of the wasted pasture, dotted with patches
of rock and weeds, and hemmed in by the low hills that slope to the
curving stream.
Public-domain text, read in full here on John Shaqi.
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