Ballads, English -- Texts; English poetry -- 19th century; Street literature -- Great Britain
[Illustration: “FIFTY SONGS FOR A FAR-R-R-R-DEN!"]
MODERN
STREET BALLADS
BY
JOHN ASHTON
AUTHOR OF “SOCIAL LIFE IN THE REIGN OF QUEEN ANNE,” ETC.
[Illustration]
_WITH FIFTY-SIX ILLUSTRATIONS_
London
CHATTO & WINDUS PICCADILLY
1888
[_The right of translation is reserved_]
INTRODUCTION.
Over Street Ballads may be raised the wail of “Ichabod, Ichabod, their
glory is departed.” They held their own for many centuries, bravely and
well, but have succumbed to a changed order of things, and a new
generation has arisen, who will not stop in the streets to listen to
these ballads being sung, but prefer to have their music served up to
them “piping hot,” with the accompaniment of warmth, light, beer, and
tobacco (for which they duly have to pay) at the Music Halls; but
whether the change be for the better, or not, may be a moot question.
These Street Ballads were produced within a very few hours of the
publication of any event of the slightest public interest; and, failing
that, the singers had always an unlimited store to fall back upon, on
domestic, or humorous subjects, love, the sea, etc., etc. Of their
variety we may learn something, not only from this book, but from the
ballad of “Chaunting Benny” of which the following is a portion:--
..........
“My songs have had a tidy run, I’ve plenty in my fist, Sirs,
And if you wish to pick one out, I’ll just run through my list, Sirs.
Have you seen “My daughter Fan,” “She wore a wreath of roses,”
And here you see “My son Tom,” “The Sun that lights the roses,”
“Green grow the rushes O,” “On the Banks of Allan Water,”
“Such a getting out of bed,” with “Brave Lord Ullin’s daughter.”
“Poor Bessie was a Sailor’s bride,” “Sitting on a rail,” Sirs,
“Is there a heart that never loved?” “The Rose of Allandale,” Sirs,
“The Maid of Judah,” “Out of Place,” with “Plenty to be sad at,”
“I say, my rum un, who are you?” with “What a shocking
bad hat,” etc., etc.
Rough though some of these Street Ballads may be, very few of them were
coarse, and, on reading them, we must ever bear in mind the class for
whom they were produced, who listened to them, and--practical proof of
interest--bought them. In this collection I have introduced nothing
which can offend anybody except an absolute prude; in fact, “My bear
dances only to the genteelest of tunes.”
Public-domain text, read in full here on John Shaqi.
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