Modern Swedish Masterpieces: Short StoriesHeidenstam, Verner von
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Modern Swedish Masterpieces: Short Stories
Heidenstam, Verner von
Short stories, Swedish -- Translations into English; Swedish fiction -- Translations into English
But as he said this, he felt that he blushed. Why should he have added
“with Miss Gabel.” It was surely a matter of indifference with whom he
had danced. Because he believed he had said something stupid, he was
annoyed with the man to whom he had said it, and set to staring at his
decoration without saying anything. Since this was a bogus foreign
decoration of the worst sort, the man grew embarrassed, coughed drily,
and passed on.
Fant remained seated and stared into a mirror which faced him on an
oblique wall. But it was not himself that he saw in the mirror, it was
the flooding light of the dancing hall and the sinuous lines of the
women. They seemed to move silently in time with the music. Look at
their red lips, look at the white curves of their arms!--
There she was again! For the third time she glided past across the
mirror. It was her cousin she was dancing with, a boy, lately a
student--ah, well!
No, he could not sit still, he could not look on any more. It surely
signified nothing that the boy danced with his own cousin, but he could
not look on. He rose and went out of the room.
Someone asked, “Who is this Mr. Fant?”
“He has invented something--a gas-burner, I believe. He is already on
the way to make a fortune.”
“But did you see,” said the man with the foreign order, “did you see
that he has a blue anchor tattooed on one hand?”
They suddenly burst into guffaws.
II
He sauntered back and forth through the rooms. He went out into the
corridor. A couple of Knights of Vasa were sitting on the wood-box
talking about business while they gesticulated with two big cigars, on
which they had left the labels. They grew silent as he passed.
He came into a greenish room that was half dark. From the roof on a
narrow cord hung a single electric light, its glow shaded by blue and
green fringes. On a dressing-table with a marble top an old Chinese
mandarin of porcelain sat sleeping on his crossed legs.
How strangely far off the music sounded, as if from underneath!
He set the mandarin’s head in motion with a little punch of his little
finger. Two mirrors repeated in unending succession the pale and
lethargic nods of the yellow head.
Now it was quiet, the music.
All at once she stood there, in the middle of the room. He had not heard
her enter. She held out both hands to him. He took them and drew her to
him for a kiss, but she freed herself almost immediately.
“Somebody’s coming,” she said.
They listened. Voices approached and moved away again.
When all was quiet around them, he pressed her to him in a long kiss.
And he thought while she kissed him: This is life! This is eternity!
Far away in the green darkness nodded the pale head of the mandarin.
“No one kisses like you,” he muttered.
“Many kiss like you,” she responded, smiling.
He thought to himself: she’s smiling so that I shall know she’s jesting
and that she has never kissed anyone else.
Public-domain text, read in full here on John Shaqi.
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