Modern Swedish Masterpieces: Short StoriesHeidenstam, Verner von
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Modern Swedish Masterpieces: Short Stories
Heidenstam, Verner von
Short stories, Swedish -- Translations into English; Swedish fiction -- Translations into English
I often said to myself: “The life I am living is a dark and troubled
dream. Some time I shall awaken to another dream which stands closer to
reality and has a deeper meaning than this. Out of that dream I shall
awaken to a third and afterwards to a fourth, and every new dream will
stand nearer the truth than the one before. This approaching toward
truth constitutes the meaning of life, which is subtle and profound.”
With the joy of knowing that in my immortal soul I possessed a capital
which could not be lost in play or distrained upon for debt, I carried
on a dissipated life and squandered like a prince both what was mine and
what was not mine.
But one evening I found myself with some of my cronies in a large hall,
which glittered with gilt and electric light, while from its flooring
rose a smell of decay. Two young girls with painted faces and an old
woman whose wrinkles were filled with plaster were dancing there on a
platform, accompanied by the wail of the orchestra, cries of applause,
and the clink of broken glass. We watched the women, drank a great deal,
and conversed on the immortality of the soul.
“It’s foolish,” said one of my comrades who was older than I, “it’s
foolish to believe that it would be a blessing to have an immortal soul.
Look at that old harridan dancing there, whose head and hands tremble if
she stays still a moment. One sees directly that she is wicked and ugly
and entirely worthless, and that she’s getting more and more so every
day. How ridiculous it would be to imagine that she had an immortal
soul! But the case is just the same with you and me and all of us. What
a mean joke it would be to give us immortality!”
“The thing that I dislike most in what you say,” I answered, “isn’t that
you deny the immortality of the soul, but the fact that you find a
pleasure in denying it. Human beings are like children that play in a
garden surrounded by a high wall. Time and again a door is opened in the
wall, and one of the children disappears through the door. People then
tell them that it is taken to another garden bigger and more beautiful
than this, whereupon they listen a moment in silence and afterwards
continue to play among the flowers. Assume now that one of the boys is
more inquisitive than the others and climbs up on the wall so as to see
where his comrades go, and when he comes down again tells the rest what
he has seen; namely, that outside the gate sits a giant who devours the
children when they are taken out. And they all have to be taken out
through the gate in due turn! You are that boy, Martin, and I find it
unspeakably ridiculous that you tell what you think you’ve seen, not in
a spirit of despair, but as if you were proud and glad of knowing more
than the rest.”
“The younger of those girls is very pretty,” replied Martin.
“It’s dreadful to be annihilated, and it’s also dreadful not to be able
to be annihilated,” remarked another of my friends.
Martin continued this line of argument.
Public-domain text, read in full here on John Shaqi.
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