Modern Swedish Masterpieces: Short StoriesHeidenstam, Verner von
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Modern Swedish Masterpieces: Short Stories
Heidenstam, Verner von
Short stories, Swedish -- Translations into English; Swedish fiction -- Translations into English
The umbrella makers and the overshoes manufacturers were happy at the
start, but it was not long before the smile froze upon even their lips.
People do not know what importance fair weather has for them until they
are for once compelled to do without it. The gay became melancholy. The
melancholy became mad and hanged themselves in long rows or assembled to
hold prayer-meetings. Soon no one worked any more, and the need became
great. Crime increased in a dizzying scale; the prisons were
overcrowded, the madhouses afforded room for only the clever. The number
of the living decreased, and their dwellings stood deserted. They
instituted capital punishment for suicide; nothing did any good.
Mankind, who for so many generations had dreamed and poetized about an
eternal spring, now went to meet their last days through an eternal
autumn.
Day by day the destruction went on. Countrysides were laid waste, cities
fell in ruins. Dogs gathered in the squares and howled; but in the
alleys an old lame man went about from house to house with a sack on his
back and collected souls. And every evening he limped home with his sack
full.
But one evening he did not limp home. He went instead to the gate of
heaven and straight on to the good God’s throne. There he stood still,
bowed, and said:
“Lord, Thou hast aged in these latter days. We have both of us aged, and
it is for that reason we are so dull. Ah! Lord, that was bad advice I
gave Thee. The sins that interest me need a bit of sunlight once in a
while in order to flourish. Look here! you’ve made me into a miserable
rubbish-gatherer.”
With these words he flung his dirty sack so violently against the steps
of the throne that the cord broke and the souls fluttered out. They were
not black, but gray.
“That’s the last of the human souls,” said the Devil. “I give them to
Thee, Lord. But beware of using them, if Thou intendest to create a new
world!”
* * * * *
The wind whistles in the window chinks, the rain purls in the
rain-spouts, and the story is done. He who has not understood it may
console himself with the thought that it will be fair weather tomorrow.
THE DRAWING IN INDIA INK
One day in April many years ago, in the time when I still wondered about
the meaning of life, I went into a little cigar booth on a back street
to buy a cigar. I selected a dark and angular El Zelo, stuffed it into
my case, paid for it, and made ready to go. But at that moment it
occurred to me to show the young girl who stood in the booth, and of
whom I used often to buy my cigars, a little sketch in India ink, which
I happened to have lying in a portfolio. I had got it from a young
artist, and to my thinking it was very fine.
“Look here,” said I, handing it to her. “What do you think of that?”
She took it in her hand with interested curiosity and looked at it very
long and closely. She turned it in various directions, and her face took
on an expression of strained mental activity.
Public-domain text, read in full here on John Shaqi.
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