Modern Swedish Masterpieces: Short StoriesHeidenstam, Verner von
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Modern Swedish Masterpieces: Short Stories
Heidenstam, Verner von
Short stories, Swedish -- Translations into English; Swedish fiction -- Translations into English
After a dinner consisting of an anchovy and four cold potatoes Leonard,
a needy artist in wood-cuts, wandered about aimlessly through the city.
It was a May day of the grand and dangerous sort. Over the heavens
voyaged festal white clouds of giant size, bulging with undefined
expectations. And the cool, prickly wind whistled with seductive mockery
of all that lay behind the horizon: explorations, adventures, visions of
beauty. It was a day of lightness and oppression; of futile longing for
action; of cold, far-reaching perfidy; and deep, exhausting unrest. How
can the breast expand to bursting and at the same time feel so horribly
empty? thought Leonard. Spring is the time when we not only make solemn
confession but are merged into a new vital existence; whence, then, in
the name of all the devils, is this emptiness, this lack in the midst of
plenty, this criminal tendency to put all the glory behind one as
quickly as possible?
Brooding painfully over these things, Leonard reeled about half blind
and with aching eyes through Gustavus Adolphus Place. Finally he
succeeded in making a resolution: to go down to the River Terrace and
see whether the apple trees had begun to blossom yet.
It proved that they had not gone beyond the budding stage.
Leonard then dragged himself up to the railing and stood there a long
while under the branches of a large poplar, watching the Northstream
tumble its waters between the piers.
There is a certain immobility in the midst of motion in rushing water.
The same foaming, roaring wave stays there hour after hour, year after
year, indicating a stone in the uneven bed of the torrent. Leonard
sought to calm himself with philosophizing over this wave. So does life
go on through its forms, he thought. Yonder fettered wave corresponds to
the ripple of a flower petal, the curve of a chin. Then some spring day,
maybe, the stone is undermined, an unknown obstruction in the furrow of
the stream of life is cleared away, and the wave is transformed, the
flower petal changes, the curve of the chin becomes different and
softer.
Leonard was not the first man who had philosophized above the running
stream. But he found no rest thereby. His thoughts merely played on the
surface; they served only to sharpen his feeling of uncertainty. The
fettered wave irritated him with its feeble trembling, its futile
tossing. The continuous roar was like an indefinite warning, a dark
threat. A warning of what? A threat of what? Ah, thou wonderful month of
May!
Leonard clenched his empty fists and sank down on a bench in complete
despair.
Public-domain text, read in full here on John Shaqi.
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