Modern Swedish Masterpieces: Short Stories — John Shaqi
Modern Swedish Masterpieces: Short StoriesHeidenstam, Verner von
General
Modern Swedish Masterpieces: Short Stories
Heidenstam, Verner von
Short stories, Swedish -- Translations into English; Swedish fiction -- Translations into English
Why should the upper classes be condemned to appear correct and banal?
Why should fine folk go about as a monstrosity to every practised and
sensitive eye? Look at Lundstrom’s jacket here! The sun and rain of all
seasons has given it the most delicate shade of green. His hat with its
admirable patina might be of bronze. And his trousers!--what a
combination of characteristic wrinkles, telling of age, experience and
strife well sustained. What a treasure for an artist in wood-cuts!
Lundstrom’s custom had grown as one with him. It was no wretched
accident. Is there anything more agonizing than a tired, grumpy
scarecrow that peers out of a brand new summer suit, glittering with
naïve optimism? Or red-cheeked, pious rusticity sewed up in cautiously
gray, pessimistic duds from a distant, smoky, rain-dripping, overcrowded
factory district? But out of Lundstrom’s worn collar grew a face covered
with moss-gray stubble over a network of friendly wrinkles and furrows.
And out of the stubble shot up a two-story nose with room for many a
pinch of reflective snuff. Large noses may be either volcanic or placid.
Lundstrom’s was placid. It separated genially but firmly two small gray,
liquidly bright eyes, which never seemed to have fastened on anything
that burned too hot, never to have stared at anything helplessly, never
to have wavered anxiously about over empty, exhausting horizons.
Lucky man, sighed Leonard. He sits peacefully under the voyaging clouds,
in the midst of the Northstream swollen with spring freshets he sits
peacefully at his crank. He is on the far side of indefinite
expectations and adventure and drifting about in the inane. He has
happily left his future behind him.
“But for heaven’s sake it must surely be time for you to haul up.”
“No hurry, no hurry,” opined Lundstrom, who nevertheless began gently to
turn the crank. The net came up with a good sediment of silver-white
splashing smelts.
With a quiet pursing of the lips the old man emptied his cargo into the
fish-well.
Next time there was a bream, a plump rascal.
Beyond the bridge railing and the stone barrier over by Gustavus
Adolphus Place it was already black with people. A little boy in a blue
embroidered blouse tried very cleverly to spit on Leonard’s hat. But
Leonard began to find the folk up there altogether ephemeral, them and
the whole muddle of palace, Parliament House, churches, theatres,
prisons and banks which chance had collected along the river; the river
which had run when there were only a few islands here inhabited by
fishermen, and which would continue to run when all the splendor was
dust again.
Public-domain text, read in full here on John Shaqi.
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