Modern Swedish Masterpieces: Short StoriesHeidenstam, Verner von
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Modern Swedish Masterpieces: Short Stories
Heidenstam, Verner von
Short stories, Swedish -- Translations into English; Swedish fiction -- Translations into English
Slowly the hours went by. When it began to draw towards dusk, the storm
increased in bitterness, and in the light of sunset the snow whirled
over the desolate snow-plain. Deathly yellow Cossack faces raised
themselves spying above the bushes, and long in the blast sounded the
roving plunderers’ “Oohaho! Oohaho! Oohaho!”
Then Feuerhausen stepped out of the stable, where he had sat between the
horses so as not to get frost in his wounds from the ropes with which he
had been bound. He went forward to the barred doors of the
dwelling-house.
“Your Majesty!” he stammered, “the Cossacks are gathering more and
more, and darkness is coming soon. I and the ensign can both sit on one
horse. If we delay here, this night will be Your Mightiest Majesty’s
last, which Gott in His secret dispensation forbit!”
The king answered from within, “It must be as we said. Three men do not
ride comfortably on two horses.”
The Holsteiner shook his head and went down to the ensign.
“Such is His Majesty, you damt Swedes. From the stable I heard him walk
and walk back and forvart. Sickness and conscience-torture will come.
Like a _pater familiæ_ the Muscovite czar stands among his subjects. A
sugar-baker he sets up as his friend and a little serving-boy he raises
on his glorious imperial throne. Detestable are his gestures when he
gets drunk, and he treats women _à la françois_; but his first and last
word always runs: ‘For Russia’s good!’ King Carolus leafs his lands as
smoking ash-heaps and does not possess a single frient, not efen among
his nearest. King Carolus is more lonely than the meanest wagon-drifer.
He has not once a comrade’s knee to weep on. Among nobles and fine
ladies and perukes he comes like a spectre out of a thousand-year
mausoleum--and spectres mostly go about without company. Is he a man of
state? Oh, have mercy! No sense for the public. Is he a general?
Good-bye? No sense for the big masses. Only to make bridges and set up
gabions, clap his hands at captured flags and a couple of kettle-drums.
No sense for state and army, only for men.”
“That may be also a sense,” replied the ensign.
He walked vigorously back and forward, for his fingers were already so
stiff with cold that he scarcely could hold his drawn blade.
The Holsteiner shifted the ragged coat-collar around his cheeks and went
on with muffled voice and eager gestures: “King Carolus laughs with
delight when the bridge breaks and men and beasts are miserably drownt.
No heart in his breast. To the deuce wit him! King Carolus is such a
little Swedish half-genius as wanders out in the worlt and beats the
drum and parades and makes a fiasco, and the parterre whistles Whee!”
“And that is just why the Swedes go to death for him,” answered the
ensign, “that is just why.”
“Not angry, my dearest fellow. Your teeth shone so in a laugh when we
first met.”
“I like to hear the Herr Major talk, but I’m freezing. Will not the
major go up and listen at the king’s door?”
Public-domain text, read in full here on John Shaqi.
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