Modern Swedish Masterpieces: Short StoriesHeidenstam, Verner von
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Modern Swedish Masterpieces: Short Stories
Heidenstam, Verner von
Short stories, Swedish -- Translations into English; Swedish fiction -- Translations into English
The lane had become filled with people, with beggars and boys and old
women and soldiers. In the middle of the throng the czar, tall and lean,
walked very calmly, without a guard. A swarm of hopping and shrieking
dwarfs were his only retinue. Now and then, turning, he embraced and
kissed the smallest dwarf on the forehead in a fatherly way. Here and
there he stood still before a house and was offered a glass of brandy,
which he jestingly emptied at a single gulp. It could be nobody but the
czar, because one saw directly that he alone ruled over both people and
city. He came so close under my window that I could have touched his
green cloth cap and the half-torn brass buttons on his brown coat. On
the skirt he had a great silver button with an artificial stone and on
his legs rough woolen stockings. His brown eyes gleamed and flashed, and
the small black mustaches stood straight up from his shining lips.
When he caught sight of Feodosova, he became as if smitten with
madness. When she came down on the street and knelt with a cup, he
pinched her ear, then took her under the chin and lifted up her head so
that he could look her in the eyes.
“Tell me, child,” he inquired, “where is there a comfortable room where
I can eat? May there be one at your house?”
The czar had seldom with him on his excursions any master of ceremonies
or other courtier. He took along neither bed nor bed-clothes nor cooking
utensils; no, not even a cooking or eating vessel; but everything had to
be provided in a turn of the hand wherever it occurred to him to take
lodging. It was for this reason that there was now running and clatter
at all the gates and stairs. From this direction came a man with a pan,
from that another with an earthen platter, from yonder a third with a
ladle and drinking utensils. Up in Feodosova’s room the floor was strewn
deeply with straw. The czar helped with the work like a common servant,
and the chief direction was carried on by a hunchbacked dwarf, who was
called the Patriarch. The dwarf every once in a while put his thumb to
his nose and blew it in the air straight in front of the czar’s face, or
invented rascal tricks of which I cannot relate before a lady of
quality.
Once when the czar turned with crossed arms to the window, he noticed me
and the Zaporogean, and nodded like a comrade. The Zaporogean threw
himself prostrate on the floor and stammered his “I Schwede.
Devil-damn!” But I pushed him aside with my foot and told him once for
all to be silent and get up, because no Swede conducted himself in that
fashion. To cover him as much as possible, I stepped in front of him and
took my position there.
“Dat is nit übel,” said the czar, but at once fell back into his mother
speech and asked who I was.
“Blomberg, surgeon with the Uppland regiment,” I answered.
The czar scanned me with a narrowing gaze that was so penetrating I have
never seen a more all-discerning look.
Public-domain text, read in full here on John Shaqi.
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