Modern Swedish Masterpieces: Short StoriesHeidenstam, Verner von
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Modern Swedish Masterpieces: Short Stories
Heidenstam, Verner von
Short stories, Swedish -- Translations into English; Swedish fiction -- Translations into English
But further behind curved a line of color that flamed and burned: six
bright horses, almost blue in the gloaming, were led by pages at a run,
with cloths of red velvet on their bending necks. Red was the wagon
which they drew, and within it gold shone heavy on the tender bosoms and
slender arms of the seneschal’s daughters. Six damsels rode after it
with hair blonde as grain, their pointed feet playing beneath the hem
of their kirtles; six huntsmen blew calls which seemed to dance and
swing like wheels from the mouths of the crooked horns. The contours of
the plain danced with them and shot past one another in wine-colored
mist, while the clouds above had glittering borders like the wings of
butterflies.
The party formed into a semi-circle, plume by plume, shoulder by
shoulder, around a bush where the captive was tied. The horsecloths
flapped in the wind; the red taking on depth in the shadow, heavy as
hopeless yearning; the red burning in the light, gay as the clamor of
victory. The maidens’ delicate necks leaned forward out of the wagon,
and their conical hoods flowed into one with the descending line of
their shoulders. They were like herons, thought Renaud, and he almost
expected to hear them add a shrill shriek, when the notes of the horns
fell far away like hurled stones, and all became silent. But when he saw
them more plainly with their thin, straight lips and strange, dreaming
eyes, which were always leveled in a chill ecstasy on something
infinitely distant, and their white, indolent hands in their laps, and
the long folds of their garments--they seemed to him wondrously
beautiful, like the most gorgeous saints’ pictures with a dimming glow
of wax tapers at their feet, and it pained him that they should see him
bound. He let his gaze leap further, past the damsels--shy, jaunty birds
that he wanted to frighten with a whistle--past the red faces and
inquisitively gaping mouths of the grooms, past the brown plain, where
he had run himself tired and dreamed himself tired.
He knew what doom awaited him, but when the Iceland falcon was borne
forward and he realized it was this which was to exact the penalty, he
laughed in his joy, and his heart throbbed with pride, as when he
possessed the bird and the long sunny days and the plain with the
listening winds and the swaying trees of autumn yellow.
Public-domain text, read in full here on John Shaqi.
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