Marriage; Women -- History; Women -- Social conditions
That love becomes very stale in time is a regrettable fact. Many women
distract their thoughts with work or amusements. But the greatest
amusement of all is flirtation. It is an amusement peculiarly fitted
to the English. In the Latin countries flirtation is admittedly not
only an amusement, but a vital part of women’s lives. It cannot be
denied that, after a time, a childless wife, or a wife who is not
absorbed in her children, begins to feel like a withered rose tree,
and a flirtation comes to her like springtime after winter. I do not
think it is often her sensual nature, but her emotional nature, that
makes a woman unfaithful to a husband of whom she has really been
passionately fond. Unfortunately there is a charm about the first
steps of a love affair, in the half-admissions and the uncertainties,
which it is almost impossible to feel after a year of married life.
The truth is that to feel a charm we must be in a state of emotional
exultation which is above the average exultations of daily life. The
great question for the race is what this feeling of charm means, and
whether it is of value to the race, and to be encouraged? Or even then
whether the destruction of our present fixed social arrangements is
too great a sacrifice to make for the vital improvement of mankind? In
the meantime, until this question of changing charm versus habitual
love can be settled, and the value of emotion as a factor in race
improvement be proved by careful inquiry into the experiences of the
parents of conspicuous children, I reiterate what I have said. Marrying
women owe it to themselves and to their children to do all they can to
make the conditions of prostitutes sanitary. Above all, they should
remember the green houses of Japan, and recognize that if women are
degraded it is generally because they have been treated with contempt,
and not because they are essentially any more contemptible than the
rest of us.
VI
BEAUTY AND MOTHERHOOD
Public-domain text, read in full here on John Shaqi.
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